Monday, 13 August 1883

Well then? It is exactly as if I had dreamed it — that is my impression this morning; last evening seems like the dream of last night.
The model arrives and I take a hundred measurements — but my composition is correct! Where were your eyes, Jules?
And I who had already seen my work as misshapen! I seize a sheet of paper and improvise what follows — after twenty-seven drafts.
Tell your adorable J. that my clay composition is entirely correct. I verified it this morning from every angle with the model. And to think I was miserable and foolish about it the whole evening. And to think that this great artist was perhaps thinking of Mme de Bailleul when he looked at it — or else said it on purpose to vex me.
Regards
Marie Bas...
P.S. Since it is done and past mending, tell the same J. that by not inviting me to come and see his daubs he has committed a great outrage. I wish him the admiration of fools… and he shall not have it — and they are in the majority! So he wishes to be loved without his painting? Never. Setting aside certain gifts to which my respect is addressed, what remains? A man. There are men everywhere, and for one to look upon them favourably, one needs…
If this lack of trust and consideration continues, I shall deprive him of Bojidar's esteem. It is you who have turned his head, and who believe he is the greatest painter in the univers — I am willing to accept that, but then do spell it: uni-vert.
and at the bottom, a drawing of me thumbing my nose at Jules with the caption: I despise him.
And then? And then I had no need to be anxious. He is not the one who will make me die of love — yet I acknowledge that last evening I was plunged into an ocean of misery, discouragement, and sadness.
Stendhal helped matters along.
What would I do with it? What would I do if, by some impossible chance, he were to love me? The man loved by the Baroness de Saint-Amand. And not the husband of Madame Bastien-Lepage? No, not that. Why?
For reasons I have already explained.
Come now — that should reassure me as to the state of my heart. I shall be even more reassured when I discover some weakness in him, when he commits some blunder or says something foolish. So far I see no absurdity in him, no awkwardness.
He loves his painting… But that is one more bond — I am delighted that he understands himself.
[Blacked out: But you] even in doing that famous "whatever they say"
Did you understand all the energy in it?
Oh! He understood it, and showed as much before me with candour — because he knows I think as he does.
Enough — goodnight; I think of it no more. It is like a dream — past, erased.
Yet let us do him justice: he does not speak of himself, nor of his talent. The one time he did was in regard to his submission to Amsterdam, which he dismissed as a pochade.
— A pochade, I said, but a remarkably fine one…
Yes — but all the same… Those simple words were accompanied by a manner and a look that said: for us, yes, it was fine, but not everyone sees as we do. You see that he is very modest — and the manner alone said that he thinks as I do. And even that, because he knows I admire him as he admires himself.

Notes

Pochade: a rapid oil sketch, typically done outdoors; the term implies something dashed off rather than laboured.