Thursday, 4 December 1879

I spoke to my masters about the Nice exhibition; they approve. But it would keep me away from the atelier for another two weeks, and it is already three weeks since I left it, and I look as though I am giving everything up. In a word, I am worried; I shall see Tony on Saturday.
This evening, dinner at La Mouzay’s. Ourselves; Count Gurowski (brother-in-law of Queen Isabella); Count Mazewski, a Pole from the Crédit Foncier; two Americans, Kent and Dubois; and finally Gaillard, whom I had invited so as to compliment him on his Chant des races latines, published in Mme Adam’s Revue. He is a young man from Avignon with the irregular face of a Saracen and a cowlick on the crown of his head that makes him look comical, together with his bombast and his strange southern calm. La Mouzay pushes him forward and follows him as he struggles in the Parisian ocean, friendless, all alone. She has had him to dinner with L. Ulbach and others, and this lawyer who is also a poet is beginning to make his way. He writes very fine verse but recites it like [a] pig. I think, moreover, that he will end up in an asylum; there is something mad in his face. I talk with him because of his opinions and the people he sees, and he suggests that I do something for the Revue — translations from the Russian for him. You can well imagine that I am delighted and shall do it whenever he likes.

Notes

Chant des races latines means “Song of the Latin Races”; no English title is established, so the French title is kept. ↩