Monday, 26 August 1878

I have resumed my work with all the ardour and love that come of a long rest and the impatience with which I awaited this day. Among the old hands there is scarcely anyone but Amélie and three or four colourless Frenchwomen. The others have gone to the sea. I have just read, in the space of three hours, a very romantic novel by Octave Feuillet — Le journal d’une femme. The title had seduced me.
My alarm clock chimes like a cathedral clock heard from afar. I think it is because it is a second-hand mechanism, but at any rate the sound is ravishing — soft, muffled, vibrant.
Will I never love anyone? Have I ever loved? Do I love? Octave Feuillet is to blame. Is the Deceased the superior man I imagined, or merely a vile journalist? What does the world think of him? I should dearly like to know, so that I might at last put a label on it. Should I abandon myself to my romantic ideas, or else scorn them? That will depend entirely on the quality of the hero. He is married, it is true, but for a moment I thought of making him, in spite of that, the aim of my existence, so to speak... I do not know why the French are accused of writing immoral books... all the good writers are excessively moral (if excess can exist in such things), so that after reading a novel I am frightfully puritanical; even without novels I hate all... irregular things.
So I want nothing that... I should like to reach a logical conclusion, and I have not the time.
But it seems to me that I am bound to this man — and there! I wish it were true.

Notes

Le journal d’une femme (1878) by Octave Feuillet (1821–1890) is the diary of a married woman torn between conjugal duty and romantic passion. ↩