Tuesday, 8 May 1877

Melissano writes.
There are races today, but I am out of sorts, I have a headache, I am in despair! It is coming over me again as it did in Nice. I have just reread my life in Naples; it is full of torments, and that idea I had of hating myself was terrible, and yet all of it has left me with a pleasant impression. Just imagine, this morning they brought us two of the most beautiful bouquets I have ever seen in my life, with the cards of our followers from the Cascine. I sent everything back, saying that there was surely some mistake and that we did not know these gentlemen. But there was a scene over this natural and tactful act. Maman and Dina were in raptures over them, like people who have never seen either flowers or homage. Bouquets without cards would be charming, and one would know very well where they came from.
Marcuard came to see us yesterday, during the day and in the evening. The Mirafiores did not lunch at his house, the Count having been obliged to leave suddenly. The cards have lied to me so much that I no longer touch them.
I wanted to show myself in Florence, I wanted... and all of it is going to the devil!
From the servants I know that the Count will not be back for some months.
It vexes me only because I wanted to redeem myself in his eyes, in looks, in dress, in wit. The idea of leaving him with that ugly impression puts me positively in a rage, a real rage.
I am unwell; only in the evening do I play the mandolin, after spending the day chatting with Dumas. Only there are a host of books that are merely signed Alex.[andre] Dumas; I recognise them by the third page and throw them aside with contempt.
Larderel telegraphed to Melissano on the eve of our departure from Naples that he would be back in Florence on the 9th. Besides, it matters little to me, since the Opera is closed and the weather is so bad that one cannot show oneself. Otherwise... one would have arrived, elegant, pretty, with a slightly despotic air and accustomed to success; Florence is like every town where society changes little. One or two evenings at the Opera would have produced the desired effect... and then Larderel would have arrived; people would have spoken to him of me, of us, as interesting novelties, and at the very least he would have stopped believing that I am what I was with him.
Now we must leave... rereading my journal I saw that I used to predict every misfortune for myself; that is why I no longer do it.
Wretch! you will rot!
Remember the lament of Girofla and Cassandra’s prophecy, and in part[icular]:
He will sell his pretty château And rot, and rot!
How I have written to him for two years now: you will rot! And how I have repeated that most distinguished refrain in every key...
What is said in My Scriptures must be fulfilled!.. The château, the famous tower, everything is sold!
Emile within a day or two Will wail, because the vultures who Ignobly sell his tower away Will play him a nasty trick — Now there is a flop!
The trick is played.
Ah! poor Emile of Misery-and-Rope... you must be very fond of me, me and my predictions.
Well, this fall delights me, because the anger he feels against me avenges me for the anger he caused me, avenges me and more.
For eighteen months I have been crying at him like a bird of ill omen: you will rot! And now look.
Listen: while leafing through some old notebooks an idea came to me... it is that... Larderel may well not be my first love... that is to say, I am furious to say so, but... spoken words fly away while written words remain... and my writings attest it, almost, well, let us admit it, there: I was in love in Nice, or rather I was taken up with the man from Nice, but I never regarded him as my equal, and he never quite pleased me. Above all, I never regarded him as my equal.
All the... same, I should have liked to see myself with a single passion; all these pettinesses annoy me...
Do you want to know the truth? Well then, but mark carefully what I am about to say.
I love nobody, and I shall never love anyone but a person who pleasantly flatters my self-esteem... my vanity.
As for Boreel... I was in love with him at thirteen; he was the first man who made me blush, especially when I thought he was Baron Finot and a millionaire, but I soon grew disgusted with him; he walked badly, he spoke badly, he was common, awkward in his movements... he was American-Dutch. The Duke of Hamilton has remained my standard of comparison and my ideal. Audiffret... was the only one in Nice; one had to take him. Antonelli loved me very much, and wanting to make a romance of it and above all to be a pope’s niece... I let my imagination run away with me...
As for the most famous of all the Alexandres... well, I loved him, and it was the first time. And if he had returned that love I should have been a second Giselle, ah! more, more, an exaggerated Giselle, capable of more than one scene in church. When one knows oneself loved, one acts for the other, and then one is not ashamed; on the contrary, one feels heroic. I know very well that I would never go and ask anything for myself, but for another I would stoop to a hundred base acts, for they are base acts that ennoble. Which only goes to prove that the finest actions are done out of egoism... to ask for myself would be sublime, because it would cost me... Oh! the mere thought of it, the horror!!! but for another! One pleases oneself and looks like self-denial, devotion, charity in person.
And in such moments one believes in one’s own merit; one naively believes oneself charitable, devoted, sublime!
Let us come back to the important subject, to say that what has been is no more... but may yet be.
I remember, I search... I ask myself what made me believe I loved that man. But it is not true, I tell myself, I could have resisted it, and if I admit it, it is because I am willing to imagine it... and then, recalling the man, I search in his person for something to justify this... fancy, I search for something that will silence these arguments, that will excuse me for having said so much about it, that will force me to admit that there really was something in him stronger than I, something that drew me... that pleased me. Why? one does not know, but something drew me... I try to establish that this something existed, for then I can lean on that inexplicable abstraction... and everything is explained. In short I search for something that says it was neither money, nor boredom, nor a commonplace interest as with the others, a desire for conquest; the fact is that I fight like the devil against admitting that he really had... that, in a word, I liked him. The fact is that I do not want to invent, to create, as I did before. I want to see whether it really is... The fact is that if it really was that, it would give me enormous pleasure, I hardly know why, because I should no longer have to waver and give a heap of reasons crowned with explanations as plumed as la Righi’s head.
The fact is that I have had enough of this searching... and I search so as to search no more... well... well, I find.
For the present you understand very well that it is all over, but back then it was so; the thing is... I always doubt it... wrongly, wrongly. I loved... involuntarily; that above all is what I want to establish.
A...men.

Notes

In Latin in the original: verba volant … scripta manent... — the Latin proverb. ↩