Pas mèche

Також відомий як: Pas mèche, Pas-mèche, "Pas-mèche", Pas meche, Pas Mèche (Nothing Doing), Nothing Doing

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A ragged boy of about twelve stands full-length in dark, patched clothes and big boots before a fence and a hazy townscape, a whip over one shoulder and a horn at his belt, looking straight out
Pas mèche (« Nothing Doing », 1881-82), Jules Bastien-Lepage, oil on canvas, 133.4 × 89.6 cm, National Galleries of Scotland, Edinburgh (NG 1133) National Galleries of Scotland; public domain, via Wikimedia Commons (Google Art Project)

Overview

Pas mèche (« Nothing Doing ») is a full-length figure of a ragged boy by Jules Bastien-Lepage, dated 1881-82, oil on canvas, 133.4 × 89.6 cm, in the National Galleries of Scotland, Edinburgh (NG 1133; purchased 1913). The title shortens the slang phrase il n'y a pas mèche -- « nothing doing », « no way ». The Scottish gallery reads the whip and horn as the equipment of a barge boy who led the towing horses and signalled the barge's arrival to the lock-keeper; it records that the picture was painted for the London dealers Arthur Tooth & Sons and was included in the artist's memorial exhibition in Paris in 1885. (Source: National Galleries of Scotland, catalogue entry for NG 1133 -- via web search summary.)

The project's reader footnotes at 097.0241 and 098.0420 call the boy a London street boy and gloss the title « Pas de chance »; the gallery's own account (barge boy; « nothing doing ») should be preferred, and those footnotes may deserve correction. Neither a Salon showing nor a Paris showing in 1882 is documented in the sources consulted.

Marie and this painting

On 14 December 1882, after seeing the new canvases Bastien-Lepage has just brought back from the country, Marie writes that his boy of last year, « Pas-mèche », is « tout simplement un chef d'œuvre » (097.0241). On 31 December 1882 (the day of the rue de Sèze exhibition) she resolves that she must have a picture by Bastien-Lepage and a statue by Saint-Marceaux: « Le gamin de l'année dernière, intitulé Pas mèche » (097.0325). On 27 February 1883 she calls it « ce qu'on peut voir de plus beau » (098.0420), and on 16 June 1883 it heads her list of the five canvases that make Bastien-Lepage the equal of Millet: « Pas mèche 1. Jeanne d'Arc 2. Le portrait du frère 3. Le soir au village 4. Les foins 5. » (100.0167). On 15 July 1884 she says of it: « Le Pas-mèche de Bastien vous regarde et vous écoute mais il va parler car il est vivant » (105.0200).

Related

Les Foins, Le Soir au village, Jeanne d'Arc (Bastien-Lepage). The same year's English-subject canvases (a flower-girl, a girl in a field) that Marie found « inférieur » on 14 December 1882 (097.0240) are not identified here.