Tuesday, 29 April 1884

The Vernissage is the day after tomorrow; tomorrow at first light I shall see Le Figaro and Le Gaulois. What will they say? Nothing? Something good? Something bad?
I am deeply agitated by it all, and occupy myself in the meantime composing a reply to Maupassant.
It takes me an enormous amount of time.
But I could not have done anything else — I am awaiting tomorrow with such dread.
Literature is truly invading me — and to what a degree! Stand aside, Dumas, Zola, all of you. Here I come. My hand aches from it. And I am making a short story out of my letters.
But it is Le Figaro and Le Gaulois that I shall open trembling. If they say nothing, it is a disaster. And if they do speak, what will they say?
My heart stops at the thought, then beats wildly.

Notes

The Vernissage (Varnishing Day) was the private preview day before the official opening of the Paris Salon, when artists applied final varnish to their canvases. For Marie, the Salon reviews published on this day could make or break a reputation. ↩