Saturday, 28 April 1883

A matinée at the Trocadéro in aid of the workshops for the blind. All Paris is there. Sarah plays in Pierrot assassin, a pantomime by Richepin. We are with the Gavinis, Saint-Amand, the Karageorgevitches, etc.
Then the Maréchale and her daughter dine with us.
I was sure that Jules would come with his brother. And the architect turned up alone. It gives me a sudden headache, and the Maréchale takes down my hair, which has become rather beautiful. I say it is the pantomime that has tired me. Young Mlle Canrobert is very intelligent, and we have great fun, she, Alice and I.
And once the ladies have left, I rail at the unfortunate Émile. At first I meant to be dignified and say nothing; then it all burst out in childishness and spite. The whole pique of a little girl. Your brother is dead to me, I despise him. His is an English nature; I care only for his talent, and even then! He has no feeling for beauty; he revels and wallows not in reality but in ugliness. He is rotten with clumsy sentimentality. He is thirty-four. He is sallow, he is small… Well… I upset this excellent brother so much that I write him a little note this evening.
After all, it is not his fault. A little more and I should have been making idiotic allusions to old Mother Mackay’s age, her dyed hair, etc. What is vexing is that I did not make enough of an impression on him for him to be always hanging about here like the modest architect.
Life is absurd.
We go to midnight mass, and as every year I come back from it with my heart full of contempt and rage. It drives me mad not to be with the embassy, and I am tortured by everyone’s looks, which seem full of malicious curiosity.
And the Grand Duke, and the ambassador, and the ladies. Baseness! Vileness! Injustice! The desert or royalty!

Notes

Pierrot assassin (“Pierrot the Murderer”): a pantomime by Jean Richepin. ↩