Tuesday, 13 March 1877

[Eight lines cancelled]
My "Virginie" dress — antique, soft — proved singularly faded when I had to put it on; this, added to my cough, made me thoroughly uncomfortable, timid, ashamed — especially when on entering the hall I perceived the elegance that prevailed there. Being two years behind the fashion, the dresses were no less graceful and rich, accompanied by a great many diamonds. For the first time in my life I was [Crossed out: vexed] humiliated by my dress. My face burned; I would have wished to be elsewhere; I shrank under the gaze of those kind enough to look at me. In short, I suffered from myself and from everything. They were performing Les Noces de Jeannette in Italian; the dilettanti distinguished themselves. Much effort was devoted to ascertaining who these newcomers were and how they had penetrated this assembly of titles. An old princess was particularly agitated; they did not scruple to speak of us in Italian. The Comte de Balzorano — Giselle's betrothed — installed himself with another man opposite us, we being in the front row, half on his chair and half on the orchestra box, behaving not at all like a betrothed man but watching my feet, catching my train no fewer than three times, looking... just as if I genuinely interested him. In truth he is a superb young man of rather French type — very tall, slender, with grey, very lively eyes; teeth literally like the finest pearls in the world; and a fresh, agreeable complexion.
The one who was with him, whom Balzorano called Giovanni, was grave, gentle — even tender — with dark eyes beneath heavy lids and a complexion more florid than fresh; and then the shirt buttons, the shoes, and all the rest led me to think — and this time with reason — that this was at last the invisible Borghese. [Written across: It was Prince Tondi.] Down to the name, since Balzorano called him Giovanni. Had it been another evening I would have taken pity on their eccentric posture and offered them a seat, since there was one beside me, but tonight... Ah, Lord. They had such an agreeable air without insolence that I recall them with pleasure. Fabbricatore came to greet us in the interval, and at the end we joined his ladies, who are visibly vexed by my illness, which does not prevent me from going anywhere but to them. I am truly clumsy — but I make myself agreeable, I cough, I wrap my neck, I am gentle. We are introduced to the Marquis de Pascarola — one of those from the Veglione — very small, slight, pointed beard, blond, to whom Maman said quite plainly that yes, she had been at the Veglione. Good God forgive me, but she grows more foolish day by day.
This circle is almost a salon, but we were not comfortable as they say in English. We were being watched, and I could not spread myself out with confidence.
I would like to strike out this evening, to conjure it away — I feel afterward as after a shameful act.

Notes

A dress in the pastoral style of the heroine of Paul et Virginie.
Les Noces de Jeannette: opéra-comique by Victor Massé (1853).
Dilettanti: in Italian in the original; society amateurs performing.
Comfortable — in English in the original.