Wednesday, 13 September 1876 (1 September)

Yesterday at the theatre we made one of those appearances I used to dream of in Nice, in the days when the Comtesse de Galve seemed to me a goddess come down from heaven. First of all I myself, elegant as always, and my four escorts, all four of them perfectly distinguished and in white ties. It is silly, but it does make an impression.
An impression... on swine! An exit... before nobody! Chocolat holding the opera glasses, the Prince carrying my train — it was all in vain.
We had supper in my room, and my father took his leave by kissing my shoulder.
And today... I no longer know what I did... Ah yes! I went to see Domenica and Lola, and we talked about Rome; for a moment I thought myself on the Corso among the bouquets, among Bog, Antonelli, the one whose hat people wanted to bash in... They asked me what I had done with Pietro.
— I refused him.
I went walking with my father, and in the evening we went to the theatre and sat in the left-hand stage box, the same as yesterday. This box is exactly like the one at Poltava, and I had the happiness of seeing Michel in the wings; but Michel, not daring to speak to the actresses, fraternised with the actors. Opposite there was indeed a sort of club box, and Paul, who had gone there to see an acquaintance, came back and repeated to me what he had heard said about me. But those people do not interest me; they are ugly, and I do not even know their names.
Michel was breathing behind me, and I was in so senseless a mood that I would gladly have flirted a little... so I divided my attentions between the dandy and the green man. That is what I have named Pacha, because of the youthfulness of his illusions.
The green man — I say it without ceremony, because I am sure of it — the green man looks on me as the finest thing in the world... but he is almost my brother. Yet the shyer he is, the more insolent I am, and Michel spends his life noticing all sorts of things and then pestering the other about them. He brought him by the hand; Pacha had never kissed anyone’s hand except his mother’s, and I ended by making him kiss mine every evening. Michel, only too happy no doubt, did not pass over this trifle in silence, and Pacha grew more submissive and more ashamed day by day.
For several days now he has been wanting to leave, and we have kept holding him back, putting off his departure until our journey to Kharkoff. He wants to leave tomorrow, an hour after us. His mother is waiting for him and calling him home.

Notes

In Italian in the original: barcaccia — literally “big old boat”: the large box near the stage in an Italian-style theatre, usually taken by a club of fashionable young men. ↩