Thursday, 24 August 1876 (12 August)

At nine o’clock I was at my father’s. I found him in his shirtsleeves, unable to manage his cravat. I tied it for him and kissed his forehead.
— “You know,” he said, “if fate ever drives you to become an actress in an operetta theatre, within five years you will have a million. That is as certain as the fact that it is now daylight.”
The gentlemen came and had tea, Pacha too — last evening he was absent, and the servant came to say he was “laid up like an invalid.” The others mocked his clumsy attentions towards me, and he takes the slightest thing so deeply to heart that not a word could be got out of him this morning.
To amuse me, Eristoff has sent for a set of skittles, a croquet set, and a microscope with a collection of fleas.
There has been something of a scandal — judge for yourselves. Paul removed from his album the photograph of my father’s actress, and that worthy gentleman, noticing this, removed his own portrait.
— Why are you doing that? asked Paul in amazement.
— Oh, just in case — I’m afraid you’ll throw out my pictures too.
I took no notice of any of this. But today Paul drew me aside, led me into a room, and showed me his album — empty but for that woman’s portrait.
— I am doing this to please my father, but I have had to remove all the other portraits from the album — here they are.
— Let me see them.
I selected all the photographs of Grand-papa, Grand-maman, Maman, and myself, and put them in my pocket.
— What does this mean! cried Paul.
— It means, I answered calmly, that I am taking back our photographs, which are here in very bad company.
My brother was on the point of tears, tore the album in two, and left. I had carried out the whole operation in the drawing room — it was witnessed, and my father will hear of it.
We took a long walk in the garden; Miloradovitch was my escort, helping me up and down. We visited the chapel and the vault containing the coffins of my grandfather and grandmother Bashkirtseff.
Michel followed behind me, like a dog sitting up to beg, with suppliant, submissive eyes, and constantly making gestures of despair towards Gritz. Pacha walked ahead, and when he looked at me he did so with eyes so full of hatred that I had to turn my head away.
No, truly, I had not suspected it, but I am dreadfully flirtatious, and the freedom of country life, the friendly informality, make me perfectly dreadful. I observe myself, I observe myself, and I am astonished at myself, and I arrive at the conviction that woman is, quite simply, an appalling thing. I do not say this out of boastfulness — it is a simple reflection that one should not make ridiculous.
If Maman knew that at the Poltava supper I had the last drop from a bottle of champagne, by chance, and that in drinking my health the arms of Nadine, Alexandre, myself, and Gritz crossed as if at a wedding. Poor Maman, how happy she would be!
Certainly, Gritz is melting, but he is a very difficult man to catch. Limited, vain, and with a devil of a mother.
We recall our childhood, the public garden in Odessa.
— So I was courting you, was I!
I respond with my best smiles while the fop makes imploring grimaces and begs me to let him carry my train. He did so yesterday and received the nickname of train-bearer.
We played a game of croquet. Gritz with me, and I — a devil of a flirt beneath an appearance of perfect simplicity.
Pleasantly flushed, I returned to the Chinese salon (so called on account of two vases and some dolls) and, sitting down on the floor, began to sort my brushes and colours. My father is sceptical about my talents. I sat Michel in an armchair, Gritz in another, and placing myself at the feet of the latter, I dash off a caricature of Michel in fifteen minutes, on a board that Gritz held for me, serving as my easel. And all the while I was making my brushstrokes right and left I could feel their eyes devouring me — especially on account of my bare neck in the Empire-style dress.
My father was pleased and Michel kissed my hand.
Ah! You know, Kapitan fled in the night after telling Paul that he was nothing but a poor wretch and that his head was already swimming on account of me.
After lunch I proposed a game of croquet, but the prince and Gritz told me, with a stupid smile, that they had to absent themselves for two hours on urgent business. And Paul came in and told them, very threateningly, that if they left he would tell me everything.
— They want to go into the forest, he whispered to me. I told them it was an affront to you, but they understand no delicacy whatsoever, and think it would be impolite not to go and visit that woman.
I did not so much as change my expression, but I felt something like a disillusionment regarding Gritz; and taking Michel by the sleeve I led him into a room, locked him in with the key turned twice, and forbade him to escape through the window.
Downstairs I found a tilbury for me to drive myself. A thoughtful gesture from Paul — only it seemed to me there was something behind it, and I invited Pacha to get in with me.
— But what is the matter? I asked.
— What?
— But everyone looks so mysterious. Truly, so much mystery astonishes me in a country estate in Russia.
— Then you know nothing?
— Nothing. But do tell.
— Paul has not told you?
— No.
— Then I shall not say — it is a dirty business that does not concern me.
— More riddles! You confound me.
— You know, Mousse, I am thinking of buying a hut at Gavronzi, the man said abruptly.
— It is so good when one is buried in the snow — one hears nothing, one sees nobody, one can dream at liberty.
— But what an idea, to bury yourself!
— There is nothing left for me but to bury myself.
— And why?
— Because my life is broken.
— Come now — who broke it for you, young man?
— My father and the upbringing I was given. My character has been crippled, and you see — I am nothing and shall never be anything.
— What notions — it is you who are crippling yourself.
— No, I am simply like that.
I changed the subject to the horse.
— How strange it is, said my companion, you know how to talk about everything — and look, yesterday at dinner when you quoted Latin verse, not one person present understood a word of it, and perhaps did not even know the author’s name, yet they all cried out: Ah! Yes, exactly, you are perfectly right! — well, such things, such lies, revolt me!
On returning I found my father lying on the sofa, Gritz seated with his hat on, and Michel rummaging about with his microscope.
— Well then, I said gaily, why these discontented or melancholy airs? What has happened? Is it my absence that saddens you so? It would be reasonable to say so.
Gritz removed his hat and Michel continued to examine a flea. At last my father said, casting a severe glance at both of them:
— There is nothing, but I do not like people doing foolish things — someone wanted to do something foolish and it displeases me.
— Very well then, everyone growing more and more mysterious! Capital.
I went up and sat down at the piano; Pacha listened to me from a distance. Soon the others arrived and took their places as yesterday. But passing from music to conversation, Gritz and Michel talked of a winter in Petersburg.
And I can just imagine what you will do there, I said. Would you like me to tell you your life now, and afterwards you will say whether I am wrong?
Yes, yes!
— First you furnish an apartment with the most preposterous furniture, sold by so-called antique dealers, and and hung with the most ordinary paintings, sold as originals. For a passion for the arts and for antiques is indispensable. Next you will have horses and a coachman who takes the liberty of making jokes, whom you will consult and who will even meddle in your affairs of the heart. You will go out on the Nevsky with a monocle, you will see a group of friends, you will get down to hear the news of the day, you will laugh till you cry at the sallies of one of those friends whose trade is saying witty things. You will ask when Judic’s benefit is to be and whether anyone has been to Mme Damié’s. You will make fun of Princess Lise and admire the young Countess Sophie. You will go into Baneel’s, where there is no doubt a François, a Baptiste or a Désiré who knows you, and who will come up bowing and scraping to tell you about the suppers that took place and those that did not. Prince Pierre’s latest scandal and Constance’s adventure. With a frightful grimace you will gulp down a glass of something strong, asking whether what was served at the prince’s last supper was better prepared than what was eaten at your own, and François or Désiré will answer: “Your Highness, what can these gentlemen be thinking!” He will tell you that he has had a turkey sent for you from Japan and truffles from China. You will toss him two roubles, glancing about you, and climb back into your carriage to follow women, leaning jauntily out on one side of the horse and then the other and exchanging remarks with the coachman, who is as fat as an elephant and is known among your friends for drinking three samovars a day.
You will go to the theatre treading on the toes of those who arrived before you, exchanging handshakes — or rather extending your fingers — to friends who tell you of the new actress’s success while you ogle the women with your most impertinent air, believing you are creating an impression. And how wrong you are! And how the women see straight through you!
You ruin yourselves prostrating before the stars of Paris who, burnt out there, come to shine in your midst; you sup, you fall asleep on the carpet, but the restaurant waiters do not leave you to your madness — they stuff pillows under your head and cover you with blankets over your wine-soaked evening coat and your crumpled collar.
You return home in the morning to go to bed — or rather, you are returned home. And how pale, how wrinkled you are then! And how you pity yourselves! Then, then... at around thirty-five or forty, one falls definitively in love with a dancer and marries her. She beats you, and you play the most wretched part in the wings while she dances!
Here I was interrupted — Gritz and Michel both fell to their knees and begged to kiss my hand, crying out that it was fabulous and that I spoke like a book.
— Only, said Gritz, the last part... everything is true except the dancer. I will only marry a society woman. And I am a family man — I should adore having my house, my wife, and fat screaming babies! I’m wild about them. I shall marry a person of society, and at thirty-one, in nine years’ time.
— And perhaps you will marry within the month, said Pacha with ferocity. He had not said a single word, but I had been following the play of his face. A remarkable man — he will do dreadful things in his life and come to a bad end. It seems to me that he will kill himself; he is capable of doing so with the most perfect composure. Or else he will commit murder.
We played croquet again; Papa kept watch over us. He notices how assiduous Gritz is. And how could he not be assiduous? I am the only one here.
He was to leave at four o’clock, but at five he was asking me whether he might stay to dinner, and after dinner he declared that he would rather not set out at night.
I talked of furniture, carriages, liveries, the running of a household. And I took pleasure in seeing how my father swallowed my every word and put all sorts of questions to me, forgetting his pride and his reserve. If I need him, he too thinks he needs me.
Gritz talked a great deal, like a young man without much wit but a man of the world who knows everybody.
In the evening I hummed a little, and then came and sat at my father’s feet, and Gritz came to swell our group with his robust person; Michel lay prostrate on the parquet.
I believe Gritz likes me; I can tell by the way he kisses my hand. I gave him my portrait — I had all those photographs in my hand, and he begged so. I do not know how to refuse... and besides, an old friend.
But I refused the little medallion card, for which he was ready to give “two years of his life”.
Ah! Good heavens! None of that is anything serious yet.
While I was at the piano Paul came up.
Look, Mademoiselle, said Gritz, how sad he looks. It is the photographs.
Yes, I know, but he ought not to have put me in an album that held Mmes Théo, Judic, Angèle, etc.
That is not it at all! cried Paul. And Gritz, since you say it is true, why did you want to call on that very actress whose portrait I had?
Paul, my brother, you are going mad! How could M. Miloradovitch call on an actress? There is not even a theatre here. Where do you see any actresses? Truly, I cannot make head or tail of it!
And just as well, said Paul.

Notes

In Italian in the original: Dio mio. ↩