Poznámky
A model with a naturally Christ-like physiognomy, adapted for religious painting by softening the lines — a common studio practice for sacred works. ↩
Fusain: charcoal; the standard drawing medium for preliminary studies from life. ↩
Wigs (perruques) were still worn by elderly French clergy in the 1870s as a lingering remnant of 18th-century fashion. ↩
Gobelin tapestries: manufactured at the Manufacture des Gobelins in Paris, the most prestigious French tapestry works since the 17th century; a mark of the highest cultural taste. ↩
Le mal de Nice: Marie's coinage for homesickness specifically for Nice — a longing for the city, her routines, and (unstated but implied) for Audiffret. ↩
Loin des yeux, loin du coeur: the French proverb equivalent to "out of sight, out of mind." ↩
"Ce fluide" — this fluid: Marie's philosophical theory that love is a physical substance distributed within every person, which must find expression somewhere. A characteristic blend of Romantic mysticism and quasi-scientific reasoning. ↩
The "unworthy red geranium" — Marie's botanically contemptuous nickname for Audiffret: a common, showy, provincial flower, unworthy of her extraordinary fluid of love. ↩
Ma c'è rimedio. Udite e saprete. (Italian): "But there is a remedy. Listen and you will know." — Marie switches to Italian for a conspiratorial aside. ↩