Friday, 4 May 1883

We went to the Salon, where I had a small quarrel with Alice, who told me she is displeased because I said to Émile that we concerned ourselves with his brother's escapades. It is my fault also — I always go too far — and this little fool, this nonentity, this nobody was able to point it out to me. It plunges me into disproportionate dejection; fortunately one encounters a crowd of agreeable people — the Gaillards, Laporte, Hecht, others — and a painter is introduced who is pleased with my painting.
And the others pay me a great many compliments that seem sincere. Émile Bastien is walking with Fourcaud — the second Wolff — it seems he saw my painting, went back to it of his own accord, had Irma pointed out to him, and that I shall have an article. That would be to be nearly established…
In any case, that is not the question. He dined here this evening. I did not play the innocent, nor the madwoman — I was neither stupid nor ugly! He was simple, gay, charming; we did caricatures together. Not a moment of awkwardness. Émile looked composed and content. And I — very radiant. I once spoke of fraternal love for Cassagnac; here I am disposed to love in a maternal way… He is very intelligent. Besides, I allow no specialisations in genius: a man of genius can be and must be everything he wishes. And he is gay — I had feared to find him unresponsive to a joke, which to be refined must stay between wit and ~~excuse the expression~~ ribaldry. In short, he has, like Roland's mare, every quality… except that he is dead… or very nearly. How foolish.