Sunday, 6 March 1881

Patti's opening night. White dress with a garland of real white roses worn diagonally across the chest. Very pretty.
The Gavinis and Saint-Amand. Miranda. The house was magnificent — all of Paris — but no time to describe it: here is a mysterious note from Mme de Villevieille. My first suspicion was correct, though I had pushed it away with indignation; here is the second letter that explains our meeting. It is the first time that an older, respectable woman in tears has asked me for money. I went downstairs and we got into a cab, where she made her confidence to me.
I am quite shaken.
It is excessively disagreeable, above all because it lowers these ladies in my esteem. I do not wish to be unkind — but do you not find it strange?
To confide her distress to me — me, whom she has met five times, and who knows her daughter from the atelier! True, we found ourselves to have friends in common, and the Gavinis see Mlle de Villevieille everywhere; being quite grown up, she goes about unaccompanied.
(Tony was pleased with me and displeased with Amélie, who said she did not care about his opinion, etc.)
Poverty beneath a brilliant exterior is as dreadful as poverty under rags — and so I am torn between sympathy and an atrocious mistrust. It is so saddening to feel tenderness for people who do not deserve it. I experience genuine humiliation when I discover the smallness or villainy of people. I am willing to pay — but let at least whoever benefits from it preserve some dignity.
Behind my canvas I have a painting by Julian — already slightly punctured — which, foreseeing an accident, I had asked to have moved; but Julian paid no attention, and when I brought it up he told me to take care (all this with laughter) but that if I put a hole in his canvas he would make me pay for it. When I insisted it be moved, he left it there as though counting on an accident — which duly happened the other day. Amélie comes to hover near my canvas. It irritates me, and I pushed it so she could not see it — and in pushing it the corner went and made a hole in the middle of the back of Julian's figure.
It is barely visible — yet despite that he told me it would not cost me much and that I would have a work by him. Well, that is mean, that is disagreeable. It is shocking!
It is not amusing to give away six hundred francs, but it is vexing to lose the esteem one had for people. Do you understand me?... Then there is Mme de Villevieille — it is so strange to come to me! I am dumbfounded and annoyed!! Ah! No! You cannot imagine how much it disturbs me. I have three thousand francs, but I shall have to pay Julian; I do not want my family to know about his stinginess, and then five hundred francs to La Citoyenne as I wish to be a shareholder.
And besides, I no longer wish to be left without a sou — I have often suffered for it. But I swear to God that if I were convinced of this lady's dignity I would give everything — but I am not convinced, and I am troubled... Oh, it is disagreeable.
I am going to telegraph my father (whose letters I shall translate for you tomorrow): "A friend in distress asks me for three thousand francs as a loan until May. If you can, do me this service by telegraph immediately — you will greatly oblige a worthy woman and myself. Cannot ask this sum at home without explaining."
If you think it amuses me to ask him that — but it goes with the business in question, I do not know why. Mme de Villevieille's approach and mine resemble each other. Both are incongruous and lacking in dignity. Am I not a fool to let myself be taken in? Do not think I am counting on the support she promises me; to begin with, she can do little without the Embassy, and besides, these promises rather push me towards refusal.
I do not wish my goodwill to be purchased.

Notes

Adelina Patti (1843–1919): the most celebrated soprano of the age. Her Paris seasons at the Théâtre des Italiens were major social events.
La Citoyenne: the feminist newspaper founded in 1881 by Hubertine Auclert, advocating full political rights for women including the vote. Marie's wish to be a shareholder reflects her commitment to the women's rights movement.