Thursday, 16 December 1880

Yesterday, second session of the Women’s Rights Society. I did not hear everything, and I looked foolish. It is horrible.
We go to the Karageorgevitches’. Bojidar is a regular at Julian’s, and so his room has an artistic look, but in what I have seen of his work I could not discover any aptitude... Perhaps with hard work.
I am painting the portrait of Madame Nachet, a fellow student at the atelier. A petite dark-haired woman of thirty-six who looks younger and is still pretty. An extremely simple and very elegant pose, rather like a bust, the shoulders emerging from a fur coat — magnificent, thick sable (mine) — and a background of amaranth plush, very rich in tone.
The Princess will no longer do anything about Bojidar without my advice; he wants an atelier of his own, and I am the one who must decide whether she should give it to him.
Saint Amand was at our house when... my aunt has just given me a pleasant surprise.
Consultation of Charcot and Potain, who declare plainly that I must leave for the south. For the past fortnight I have been better. That is because the weather is mild... Heavens, I know that in Nice or Algiers I shall be well, but back in Paris, but next autumn?
“You will be cured.”
I do not believe it; next autumn I shall have to exile myself again. Fine men of science they are, who can think of nothing but warm countries! If you do not leave, the “localised bronchitis” that is now this long will be this long. Well then, there will always be time to leave when it comes to that.
As for the ear, explain as I might, they pay no attention to it. Pack of fools! Well, it seems the one comes from the other.
That is all my family can think of to improve my condition! Do they not understand that it is the humiliations that I have endured and the rages that choke me every day, that it is from being buried alive that I am ill!
Painting, relentless work without the slightest compensation, at my age, with my aspirations!
And I threw myself into it only because the other life was driving me mad with anger.
Are not the tears that rise in my throat and choke me every evening, and even sometimes during work, the cause of the illness, if illness there be?!
They count how many mouthfuls I swallow at dinner! Oh, how I would like to get away from these people!
This visit from the doctors was not disagreeable to me; on the contrary, I still hope they will cure my ears, but it reminded me of all the rest, and that is why I am making my face so lovely by crying, when I am to go to Madame de Brimont’s this evening. Every Thursday she receives a great many politicians and other very distinguished men. Well, what can one do?
We went there. I felt as if I were in a club. All in the Oriental style: Moorish decor, fretwork, Turkish fabrics, perfume burners, a fantastic and mysterious lighting. People smoke in all the drawing rooms. Madame de Brimont, in a low-cut white damask gown, brings me at once to Emile de Girardin, and then the fear of not hearing added to the emotion of finally seeing up close one of those men who lead the way in politics or journalism! Ah, how frightened I was! But he does not speak too softly — yet it is quite awkward, and I often got tangled up in words like “illustrious,” “superior man,” “what happiness to approach at last!” and heaven knows what other nonsense.
He does not advise me to paint Hubertine: “She is ugly,” and I know that he wrote his pamphlet well, but he says that opinion is not yet ready for that — people are not prepared. All these portraits make him look old; close up, he does not have those grimacing wrinkles with which his busts and portraits are adorned. He stayed near me for a long time and withdrew, according to his invariable habit, at ten o’clock.
But we found acquaintances: Vernette, the Vicomte d’Abzac, de Maufras, who always asks me to show him some of my articles. I must write, must finish writing one of my story drafts... etc.
We arrived just as Joseph Reinach was leaving — one of Gambetta’s secretaries and the one the newspapers speak of so much regarding the Rochefort letter. Consult the newspapers I am keeping for you. People are shouting that Gambetta did right, even if he had not actually received the written letter. They say that Rochefort is wicked in every sense of the word, that he has only what he deserves. That a man who claims to have disavowed the excesses of the Commune and who returns to put himself at the head of its demands, who makes himself the apostle of assassins, who slanders, insults, mocks, abuses without proof — in short, a villain, a wicked man! Everyone against him! One against all! Certainly it is plausible that, having written this letter at his lawyer’s dictation and under threat of a death sentence, he found it humiliating after writing it and did not want to send it; but why leave it with the lawyer then, and why, seeing it again three weeks later in that same lawyer’s briefcase (it is Rochefort himself who says so), not destroy it? Gambetta says Albert Joly handed him the letter; Rochefort cries that it is a lie or a breach of trust. Oh! If he is sincere, his situation must be atrocious. They say he is bordering on madness — I understand that. But also, however wicked he may be, he is too unhappy now, and I pity him... I have become so sensitive... However wicked he may be, he is so unhappy, so unhappy.

Notes

In Latin in the original: Consilium, a medical consultation, a meeting of doctors to discuss a case. ↩