Saturday, 27 November 1880

Mother Gavini having come yesterday and not found me, I go to her house for lunch. There are two gentlemen; we talk about a bit of everything, and especially about the Rochefort trial — Laisant — Cissey — Kaulla.
Finished the competition. I wanted, just to see, to give my verdict here in advance, but I really cannot. I do not like what I have done; I had sand in my eyes, and it was dark on the days I painted my biggest passages; I was really in form only today, so I repainted almost the whole head, which is the better for it, but all the same I do not like it. But I must admit that it is the best of the lot. Amélie’s is very effective, since it is only a profile and the model had an enormous Directoire hat with tulle strings; she had time to paint hat, clothes, background and all.
I, whose model was almost full-face, laid everything in and painted only the face. So Amélie’s is effective, but it is done off the cuff, badly drawn and no likeness — but that makes no difference in the competition. Magdeleine gave up; her drawing was very bad.
There is Villevieille, who is not too bad, and a Swedish woman not too bad either, and three horrors. As for the atelier at 51 rue Vivienne, it will be a heap of rubbish, barring surprises. Amélie may well get the medal, but heavens, I would not give it to her — she chose a profile because she can never get two eyes to agree, and even that profile is so slack in its drawing! Not to mention a heap of tones put in off the cuff.
But from a little way off it is effective; still, these worthy academicians ought not to be taken in by that. I am not at all sure I drew as well as I can, and then, although I always judge myself more or less fairly, one does get surprises sometimes.
When I got the medal I thought I had made a horror... but one must not trust that... In short, I would very much like to have it; it would raise my spirits, and then, after all, it would prove that I painted a head that Bouguereau, Lefèvre, Tony and Boulanger thought good.
You know, they only give the medal when it is deserved; if there is nothing that deserves it, they rank the drawings and that is all.
The Juvisys and Géry called while we were out.

Notes

In French in the original: de chic, studio slang for working from imagination, without the model. ↩