Friday, 21 November 1879

The newspapers are beginning to take notice of Joseph, and so he shows off more than ever in the Bois and everywhere else. Here is a little anecdote from the Figaro that is attributed to him. [Missing]
Yet these republicans will have a hard time of it: the other evening the President of the Chamber goes into a latticed box with a woman, and the minister Lepère goes to fetch his carriage himself and, on his way, shoves M. de Nervo, who had a lady on his arm. So people laugh at them; the Gaulois and the Figaro are fairly courteous to Joseph at least, but the Triboulet calls him a centaur, the trainer of Léon’s horses. We saw the master and the underling in the Bois: Léon in a coupé with Coquelin, and Joseph in a little dog-cart, then on horseback, then chatting with a cocotte in the left-hand side alley near the little café. I am very much afraid that this equestrian statue is too taken up with stables and paid women... that would be vulgar.
Polite and elegant Republican society is in the making just now, and that is why it interests me to the utmost degree. All my faculties are strained towards that point, and I gnaw my fingers at being chained where I am. It makes me think of Oelsnitz, but for whom I should have made the acquaintance of Joseph and Coquelin, and consequently of Gambetta. I have read Zola’s Eugène Rougon and... even without that.
I am very unhappy!

Notes

Zola’s novel Son Excellence Eugène Rougon (1876), in English His Excellency Eugène Rougon; Marie gives the title as Eugène Rougon. ↩