Tuesday, 18 July 1876

Today I saw quite extraordinary things. My aunt, Mmes de Mouzay and de Mertens were with me. We went to the celebrated somnambulist Alexis. He now gives almost no consultations other than medical ones. Mouzay has known him a long time — he once rendered her all manner of services through his incredible clairvoyance.
We were shown into a half-lit room, and as Mme de Mouzay had said, "we are not here about health," the doctor withdrew, leaving us alone with the sleeping man.
A man — that made me sceptical; above all, the absence of any outward charlatanism. Mme de Mouzay took his hand:
"You remember, M. Alexis," she said, "some time ago you helped me recover three thousand francs that had been stolen from me?"
"Yes, Madame."
"Well, today I bring you a young friend of mine who wishes to consult you on various matters — it is not a question of health," she added, placing my hand in his.
"Ah!" he said, with his half-closed, glazed eyes like those of a dead man — expecting something else — "your young friend is quite ill."
"Oh!" I cried in alarm, and I was about to ask him not to speak of my illness, fearing to hear dreadful things — but before I could, he described in detail my ailment, which is a... I forget — something chronic in the throat, at any rate. But I have very strong lungs, and that is what has saved me.
[annotation]
A laryngitis.
"The voice was superb," said Alexis with compassion, "but now it is worn — you must take care of yourself."
I would have needed to write it all down — I do not remember all those details about the bronchi, the larynx and so forth... For that I shall return tomorrow.
"I come, Monsieur," I said, "to consult you about this person" — and I placed in his hand a sealed envelope containing the Cardinal's photograph.
But before recording all these extraordinary things, let us agree that nothing in my appearance could have revealed that I was concerned with a Cardinal. I had said not a word of it to anyone. And besides — what probability that a young Russian woman, elegant, pretty, would go to a somnambulist to speak of Popes, Cardinals, and the devil?
Alexis held his forehead and searched; I grew impatient.
"I see him," he said at last.
"Where is he?"
"In a large city... in Italy; he is in a palace, surrounded by many people; he is a young man... no! It is his expressive face that deceives me — he has grey hair... he is in uniform... he is past sixty."
I, who had been drawing words from him with growing avidity, was taken aback.
"What uniform?" I asked.
"It is strange... he is not military."
"He is not military?"
"No! Certainly not."
"But then what is this uniform?"
"Strange — not of our country... it is..."
"It is?!"
"It is an ecclesiastical habit... wait... he holds a very high rank, he dominates the others, he is dressed in violet... it is... a bishop... No! It is a Cardinal!"
I gave a start and sent my slippers flying to the other end of the room — to Mouzay's delight, who was doubled over with laughter at my excitement.
"A Cardinal," I repeated.
"Yes!"
"What is he thinking?"
"He is thinking of a very serious matter... he is greatly occupied..."
Alexis's slowness and the difficulty he seemed to have in pronouncing the words made me nervous.
"Go on, look closely — who is he with? What does he say?"
"He is with two young men... military men; two young men he sees often, who belong to the palace."
I had always seen at the Saturday audiences two fairly young soldiers among the Pope's retinue.
"He speaks to them," continued Alexis, "he speaks to them in a foreign language... Italian!"
"Italian?"
"Ah! but this Cardinal is very learned — he knows almost all the languages of Europe..."
"Do you see him at this moment?"
"Yes, yes — those around him are also churchmen; one of them, very tall, thin, wearing spectacles, comes close and whispers to him; he looks very closely... he is obliged to bring objects right up to his eyes to see..."
Goodness — that is the very image of the person whose name I always forget, but who is very well known in Rome; it was he who spoke of me at the dinner at the Villa Mattei.
"What is this Cardinal occupied with?" I asked. "What has he done recently, whom has he seen?"
"Yesterday!... yesterday there was a great assembly at his residence... churchmen... all of them! Yes — oh! they were discussing a serious matter, a very serious matter. Yesterday, Monday... he is greatly anxious, for the question is of..."
"Of what?"
"They have spoken, they are working toward, they wish..."
"What, what? Look!"
"They wish to make him... Pope! Oh! Oh!"
The tone in which it was said, the somnambulist's own astonishment, and the words themselves gave me an electric shock — my feet were already bare; I tore off my hat, scattering my curls and pulling out the pins, and flung it into the middle of the room.
"Pope!" I cried.
"Yes, Pope," repeated Alexis, "but there are great difficulties... he is not the one with the best chances. Oh! No — his faction is weak; he has two rivals!"
"Two rivals?"
"An Italian and a Frenchman..."
"Their names! Look, tell me!"
"I... I cannot — I am not connected to them; I cannot see!"
"But at that assembly on Monday, yesterday evening — what was the subject?"
"Of naming him Pope — I have told you!"
"And he will be Pope?"
"I do not read the future."
"But yes, Monsieur — try, you can... come now."
"No, no, I do not see the future! I do not see it!"
"But who is this Cardinal — what is his name — cannot you divine it from what surrounds him, from what is said to him..."
"A... wait, ah!" he said, "the image of him that I hold here is quite drained of his vitality, and you agitate yourself so violently that you exhaust me horribly — your nerves give shocks to mine; be calmer."
"Yes, but you say things that make me leap up — come now, the name of this Cardinal?"
He began pressing his head, sniffing at the envelope (which is grey and double, very thick)...
"Well?"
"A... Antonelli!"
I had nothing left to take off — I fell back in my armchair.
"Does he think of me?"
"A little... and unfavourably... he is against you — there is some discontent, I do not know what... political motives..."
"Political motives?"
"Yes."
"But will he be Pope?"
"I do not know. The French faction is going to collapse — that is to say, the French papabile has so few chances — ah! almost none — that his faction will join either the Antonelli faction or the other Italian."
"Which of the two? Which will triumph?"
"I shall only be able to say when... when things are in motion; but many are against Antonelli — it is the other one..."
"And will things be in motion soon?"
"One cannot know — there is the Pope; one cannot kill the Pope! The Pope must live..."
"And will Antonelli live a long time?"
Alexis shook his head.
"He is very ill, then?"
"Oh! Yes."
"What ails him?"
"He has pain in his legs — he has gout, and yesterday... no, the day before, he had a terrible attack. He has decomposition of the blood... the... I cannot say this to a lady..."
"And it is unnecessary."
"Do not agitate yourself," he said, "you exhaust me — think quietly; I cannot follow you..."
His hand trembled and made everything in me tremble; I released it and grew calm.
"Take this," I said, giving him Antonelli's letter sealed in an envelope exactly like the other. He took it and, as with the other, pressed it against his heart and his forehead.
"Well!" he said. "This one is younger — very young... This letter was written some time ago, it was written in Rome, but since then this person has moved... he is still in Italy... but not Rome... there is the sea... this man is in the countryside... in the open country. Oh! Certainly he has moved within the last day — twenty-four hours at most, no more... But he is a man connected in some way to the Pope — I see him behind the Pope... he is linked to Antonelli, he is closely related to him..."
"But what is his character — his inclinations, his thoughts?"
"It is a character... strange, withdrawn, dark, ambitious... he thinks of you constantly... but he thinks above all of achieving his aim... he is ambitious."
"Does he love me?"
"Very much — but it is a strange, unhappy nature... he is ambitious!"
"But then — he does not love me?"
"He does! He loves you — but in him love and ambition go hand in hand. He needs you."
"Describe him to me further — his inner nature."
"He is your opposite," said Alexis with a smile, "although equally nervous."
"Does he see the Cardinal?"
"No — they are on bad terms; the Cardinal has been against him for a long time already — for political reasons..."
I still remember what Pietro used to tell me: "My uncle wouldn't mind so much about the Caccia-Club, and as for the volunteering — what does that matter to him! But it is on account of politics."
"But he is his close relation," continued Alexis. "The Cardinal is displeased with him."
"Have they not seen each other recently?"
"Wait! You are thinking of too many things — these are difficult questions; I am confusing him with the other one! They were in the same envelope!"
It is true — yesterday they were in the same envelope.
"Look, Monsieur — try to see."
"I see! They have met — two days ago — but he was not alone... I see him with a lady..."
"Young?"
"Older — his mother."
"What did they speak of?"
"Of nothing clearly — they were embarrassed. A few vague words were said, almost nothing, about that marriage..."
"What marriage?"
"With you."
"Who spoke of it?"
"They did. Antonelli does not speak — he lets others talk... He is against this marriage, particularly from the beginning; now he views it better — not favourably — oh no! but he bears the idea a little better."
"But what are the young man's views?"
"Fixed views — he wishes to marry you... but Antonelli does not want it; he thinks ill of you... Especially before — it is only very recently that he has become less hostile toward you; a little less."
My French friends were greatly inhibiting me, but I pressed on bravely though all my cheerful humour had fallen as low as possible.
"If this man thinks only of his aim, then he does not think of me?"
"Ah, yes! I have told you — in his case you and his ambition are one and the same thing."
"Then he loves me?"
"Oh! Very much."
"Since when?"
"You are too agitated — you exhaust me, and you ask very difficult questions... I cannot see."
"But do try!"
"I cannot see... for a long time, I believe — for years — no, I cannot see that."
"What is he to Antonelli?"
"A close relation..."
"And Antonelli," said Mme de Mouzay, taking his hand, "has he plans concerning this young man?"
"Oh! Yes — but they are divided by politics; however, things are improving between them now."
"You say that Antonelli is against me?"
"Very much so — he does not want this marriage... but he is beginning to soften... oh, very slightly... All of this depends on politics... I tell you that Antonelli and this young man were completely at odds; some time ago Antonelli was flatly against him."
Well — what do you say to that? You who dismiss such things as charlatanism! If it is charlatanism, it produces marvellous effects. I have transcribed accurately — I may have omitted something but I have added nothing. Come now, is it not surprising? Is it not strange? My aunt played the sceptic, for she was furious with the Cardinal; she launched into a series of remarks against Alexis — without purpose or reason — which irritated me terribly, for I knew perfectly well she did not believe a word of them.
As high as I was yesterday, so low am I today.
"Shall we go to Mme Moreau?" asked Mouzay. "I consulted her before my daughter's marriage, and she predicted everything that has happened since — misfortunes, separation, everything!"
"Is she a somnambulist?"
"No — she is a pupil of Mlle Lenormand."
"Let us go."
She absolutely insisted on being alone with me, which alarmed my ladies. She is a good stout, merry woman. She examined my hand.
"You are made to be a first-rank artist," she said. "You must sing — you will achieve great glory. You must paint. You will have great success. You are a musician. Ah! There it is... very great success as a woman. You will make a love match with a titled man before your nineteenth year. You are seventeen and a half. You will make a long journey."
"I am seventeen."
"Oh! No, no — seventeen and a half."
"In eighteen months you will have very great artistic success — eighteen months; we are in July; it will be easy to verify. You will have three children."
"But," she continued, "within the year you will be in mourning for an elderly person... for certain. In all else, the [words crossed out] very brilliant."
I gave her the Cardinal's envelope.
"It is an old man," she said; "he must be employed in some government — yes, is that not so? Well, shortly — in eight months — he will obtain the high position he desires; it is certain. But this man thinks ill of you."
I gave her the envelope with the letter.
She rubbed it with her hand as she had done with the Cardinal's.
"This one is young," she said; "you are thinking of a marriage. Ah! Here are cards that say this marriage may take place. It will happen quickly — at the end of next winter — [two words crossed out] it will happen, but with difficulties; you will have troubles. You will not marry this man until after you have been in mourning for an elderly person, and he for a woman — not before. You will soon be sought by a man of twenty-eight, dark, with a black beard. You will marry a titled man, but your life is the life of an artist; as woman and as artist you will have immense success — in eighteen months. You will have some before, but the great, the complete success in eighteen months. It will be easy to verify, in the month of January 1878."
"But this man's character, Madame?"
"Him? Dark, ambitious — but he loves you."
I came out dumbfounded, and scarcely in the carriage before I recounted this strange prediction — so similar to the other two.
Can it be possible that all three say the same thing!
The Frenchwomen went home — Mme de Ballore was waiting for them. By the way, that amiable woman and her daughter de Wykers-looth called on us two days ago. And yesterday at Mouzay's I saw Mme de Quinssey, the eldest daughter of Mme de Ballore, and Mme Balagny — an old acquaintance from Nice, of whom I have no doubt spoken.
I went to the Bois with my aunt. Before those ladies I played the clown, struck poses, and said, preening myself: "Never mind, ladies — I have a bone to pick with the great Cardinal, and on political grounds no less!"
"Marry Pietro," said Mouzay, "and your uncle will be Pope — you will have him appointed."
"With pleasure, Madame — and I shall even have the king thrown down the steps of the Capitol. And that Margherita whom I detest so!"
I said all of that... but, alone with my aunt, I said nothing — I looked with terror upon my journey. The Cardinal's enmity, Pietro's love: it seemed to me that I loved him; I would say so many tender things to him... I almost wept at being unable to do so.
I was saddened and yet amused to find myself embroiled in all these things.
"Those who surround Antonelli," Alexis had also said, "are against you. All of them! All of them are against you!"
At the Bois I saw young Korsakoff, Lucie Durand, and others.
Chocolat looks well on the box.
My French friends came to us in the evening. We spoke again of Mongruel, of Alexis, of Moreau.
I do not believe — yet all of it is very strange...
"A rival who disappears as if assassinated," said Mongruel.
"One cannot kill the Pope — the Pope must live!" said Alexis.
Poor Pietro *.
O mysteries!

Notes

Alexis Didier (1826–1886) — a famous French clairvoyant widely consulted by European aristocracy. His "lucidity" (lucidité) — second sight, clairvoyant ability — was renowned.
PapabileItalian: eligible for the papacy; a Cardinal considered a likely papal candidate.
Mlle Lenormand — Marie-Anne Lenormand (1772–1843), famous fortune-teller who advised the Empress Joséphine among others.
Bouffonnerie — buffoonery, clowning; playing the fool to mask one's emotions.
Margherita of Savoy (1851–1926) — future Queen of Italy, wife of King Umberto I; Marie's hostility toward the Italian royal house is consistent throughout the diary.
Asterisk — marks a coded name.