Thursday, 14 January 1875

Thursday we go to Ferry’s, then to Laferrière’s — where I enter not without a certain trepidation, but Caroline is tolerable, and I order three dresses and a coat: a simple grey day dress, one in white wool with white laces and olive-shaped buttons, and one in white silk and barège embroidered in Parma-violet silk, Jewish-style. And a cape with a black muff trimmed with skunks.
All these things please me and I leave enchanted. Then to de Vertus: a white satin corset. And finally to Reboux: a grey felt hat with feathers — soft and graceful. Then to Duval’s — with this last there will be some difficulty, I suspect, for when the furniture was ordered he said my aunt could pay as she liked, and she assumed the payment would be arranged as Schmit had proposed: that is, spread over several years, as Princess Souvoroff pays.
My aunt assumed this, but was wrong not to say so to Duval — who, moreover, every time she spoke to him about paying, said it would be as she wished, that it was for her to choose the terms and he would do whatever she wanted.
A rather shady way of answering.
Now M. Duval says that he did not have a term of several years in mind — he understood he would be paid in the course of the year.
That is how matters stand.
My God — let us hope this does not cause any great unpleasantness.

Thursday, 14 January 1875

The same round of errands, and in the evening we go to see Around the World in Eighty Days — the great success at the Porte Saint-Martin.

Notes

In French in the original: juive — apparently the name of the dress style (cf. “la robe juive” later in the diary); the exact sense is uncertain. ↩
Written in Russian in the manuscript; French translation by the editor. ↩
Skunk fur was fashionable trim in the 1870s. ↩
Jules Verne’s Around the World in Eighty Days, adapted for the stage and premiered at the Théâtre de la Porte Saint-Martin in 1874; a spectacular production with elaborate scenic effects. ↩