Sunday, 8 February 1874

I am very late, but I dress as quickly as I can and go alone to church; I enter at the same moment as the Beak, which led the colonel's wife to tell Maman -- who was that afternoon at Mme Antonsky's -- that I had come with the Labanoffs. I take Solominka with me, go to Mortier's, bring Solominka back to her house, and return. While waiting for the carriage (brown dress, good but very worn) I walk about the drawing room with Machenka; she talks of dresses.
Maman and my aunt come to collect Dina and me, and we go to the Promenade.
Lambertye reappears in society; for several days he was not seen. Today he drives with Chimay.
The Beak is somewhere at the Strait. On the balcony of the Cercle de la Mediterranee all the members are displayed. Lewin, Krassowsky, Jarochewsky, Lambertye, and a host of others I do not know. I should like to know who the one is I compare with the duke and who differs from him -- let me see that I express myself clearly. If one takes a piece of cloth and divides it exactly in two, gives one half to Garach to make a dress and the other to Worth, and sets the two dresses side by side -- that is what these two men are. The cloth is exactly the same, and the size as well... He is as ruddy, as tall, as red-haired, and dresses exactly like Hamilton; only: you are Jean, you are Jacques, you are red-haired, you are foolish, but you are not Jean-Jacques Rousseau.
We meet the baron, who flies past on a carriage and pair; he stops with a great clatter, runs to our carriage, and hands over the tickets. He would have brought them to our house, but he has so, so, so much to do with this carnival "that we have organised" that he has not a minute.
He looks at me as though I were an enemy; I look at him too. He is no longer always with the Beak. We drive my mother and my aunt to the station; from there we go with Dina to the London House to order something, and then to Rumpelmayer's, where we sit at the window in the front room. Francia enters and I blushed, but I hope he did not see, for I was pretending to examine the display. Then the lady who laughs enters too. This year I see her rather seldom.
At dinner the Hitchcock made it understood that she does not wish to leave; she is so insolent. She says she wants to see us
leave before her; from several outbursts and remarks one sees that she must be driven out before she will go. I have never seen a creature so stupid, so hard, so devoid of pride and of all comprehension and delicacy.
I teased Papa a little, saying that I am beautiful.
I speak no more of the Duke of Hamilton, because I have said everything -- I have said too much. I ought to have enclosed him within myself, without transmitting him to paper by this scrawl.
I ought to have loved him and hidden that love from myself. I am foolish enough to create romances in the streets, to choose ideals, to adore them and then weep for them. Is that not foolish enough! But in truth the Hamilton affair was very serious. Boreel pleased me, but I love Hamilton. He stood apart from all others as the prima donna stands apart from the chorus, from the moment I saw him. He was always a singular, extraordinary, curious being to me. Above all, he was a great original, extravagant. He was perfection -- an English-Parisian duke. I no longer love him, but I adore him. He is the best of all there is in the world; the only creature I could love, the only one I desire for himself, the only one...
[Crossed out: All the others] Even if I loved another, he would always remain my idol, my ideal. I look upon others as men, upon him as a god. Before him alone I feel capable of kneeling; him alone I can lower myself to love. Another may love me, and I shall always regard him as an inferior, as a slave to whom I shall never descend, but whom I shall not raise to my level.
He whom I consider a creature apart, a demigod. He, the perfection of perfections, married an Englishwoman. It is disfiguring [sic].
We shall see how his union ends. But what does it matter to me!
I am mad; I love him and I shall love him.

Notes

In English in the original.