Thursday, 1 January 1874

Supplement to the fourteenth book.
I find it awkward to write 1874 instead of 1873.
I was preparing my English for tomorrow; they came to fetch me, and after making me wait half an hour, I go down (blue dress, brown hat, good). At Mme Prodgers's there is a grand reception -- how happy she is.
Maman was holding a packet of all sorts of newspapers (Maman has just come from Mme de Mouzay's), where they -- that is, my aunt, Dina and Bete -- were at a soiree. They say it was pretty and not too dusty. Paul runs about the hotel balls, and yesterday in a cotillion figure where one had to run and catch the ball, he was always the first; then a gentleman said: No wonder -- he is a schoolboy. Then I know not what they said to each other, but this gentleman sent him his card. It is enough to make one die laughing. We sup at Maman's, and Maman delivers the moral lecture to Paul -- which, alas, serves no purpose.
I take the Galignani and La Vie Mondaine, when Maman says to me, passing me the latter: Here, Hamilton's marriage is described -- he has already married. -- Give it here; I have already read it in an English review, with all the details. And here too.
I read what I have already read in the Galignani. I am very calm; I am pleased with myself. In this same Vie Mondaine they speak of the Gioia and Krassowsky and Soubise scandal, for she too had gone to the club -- without naming the persons, no doubt.
I: How I love the English review. It is the only one I read -- true, solely for the "Court News" -- but all the same I read it.

^[In English in the original.]
My aunt: -- You are only looking for Hamilton, the ((cabinets)) of Hamilton -- that is what you read.
I: -- Yes, the most interesting part -- the balls, the outfits, the receptions.
-- Yes.
How she guessed -- I read only in the hope of finding his name, or something of him. We go to the Promenade, where I see Mlle de Galve with her father and the two delightful children of Mme de Galve. How nice she is! And the gray dress too. We meet the Howards, who invite me to the opera this evening.
The way Count Lambertye looks at me is very strange; he seems to want me absolutely to notice that he is looking at me. It is inexplicable.
I go to fetch Helene, the two boys and Mlle Gaspard (white dress, coiffure as always, all the hair turned up; almost good). There are not too many people, but the hall is not empty. Helene has a reseda silk dress, trimmed endlessly in front, with false pink roses in her hair and jewels. No, she is not pretty. Flat as a board. The music moves me, and I thought the whole time of him (as on the way to fetch them I was alone in the carriage, I spoke aloud, as if to him; then I thought aloud -- a little more and I would have wept). I saw him distinctly and felt more than ever how I love him. There are moments when I mock myself -- with my sentiments! But there are others too, when I love him so, see him so clearly, and am so melancholy that I would flee everything and everyone. It is only then that I feel I am alive. But this evening it was not calm regrets, but on the contrary sharp and painful ones. I was very glad to be able to feel so vividly how I love him, how incomparable and divine he is. How I adore him.
Maman, handing me the paper, says:
-- Really, how can one love one's wife now, how can one love her after two months?
How mistaken she is! He will adore his wife always -- and how stupid I am! This "his wife" that I have written astonishes and ruffles me (let that inelegant word pass, but I use so many inelegant ones that...)
I wish I could photograph what I felt this evening, to be able to look at it later and remember it always.
The sole and only conclusion I can draw from what I write is that I love him.
And I know not what other nonsenses I note because they made me blush.

^[In English in the original.]
Ah, the Duke of Hamilton -- how he pleased-pleases me.