Friday, 24 October 1873

Walitsky, without rhyme or reason, pesters me about the Duke of Hamilton. Every word is a needle that pricks the wound. (Maillard has arrived.) I notice that since this marriage I speak in such a flowery style that it becomes absurd. We go out at four o'clock; I wanted to go at three, but we had to translate papers from Russia -- still for the Palajka business.
(Green dress, not bad.) I am not pretty today. It is raining, but the moment we go out the weather turns quite fine, though without sun. We see Wittgenstein -- an event in Nice, especially now.
The Princess makes me laugh. We passed him again and I blushed. It is abominable to blush like that! It is nothing yet for Wittgenstein or something of the kind, but often I turn scarlet for such rubbish -- like Audiffret, for instance, and even (oh, horror!) Saetone!
I hope he did not see it. We saw him again, Wittgenstein, one more time, and this time all three of us turned red. How ridiculous! If he saw it, he must take us for madwomen -- or else he will think we are red as Crimea-apples.
I have my alarm clock at last.
Mme Prodgers's windows are open; the curtains, the flowers, the furniture arranged -- everything announces that the beauty of Nice has returned.
I speak calmly, without blushing, of the Duke; I even say he is handsome. The Princess knew the Duchess of Manchester and her daughter, then a baby of two or three. She says the child must be twenty-two or twenty-three by now.
She says, laughing, that soon it will be published that the Duke of Hamilton has fled from his fiancee to marry Mlle Marie de Bashkirtseff. If he does flee, it will only be if the old Duchess of Hamilton dies.
"Why should he flee? He adores his fiancee, and she is beautiful, and she adores him."
"She must be beautiful, and he adores her no doubt."
"Yes, they adore each other."
Ah, these "they adore each other," "he adores," "she adores"! Why does she say that? As if I had not enough of my torments. There are moments when I forget, but there are also moments when I could dash my head against the wall. I wish I could make the paper say what deep melancholy reigns in my soul. How unhappy I am, and how I grieve for him.
And to think that I never spoke to him -- I saw him ten or fifteen times at close range; the other times, always from afar or from a carriage.
But I heard his voice and I shall never forget it. While he spoke [Crossed out: to the horses] I [Crossed out: listened to him and] was nothing but an ear. I listened to his words, and that voice entered my soul and will remain there forever.
[Annotation: 1880. I have completely forgotten it, his voice.]
The more I say, the more I want to say! I give up -- never shall I be able to write what I feel, not even say it. Yes, I could say it -- but to him; then I could tell him exactly what I have felt; my eyes would tell him; he would understand!!
Oh, my God! You see that I speak the truth. That I love him truly.
I must have sinned greatly to be punished thus! No doubt, yes -- otherwise God would not punish me. Ah!... I wanted to say more, but I cannot. I am like those unhappy painters who conceive a picture beyond their powers.
I love him, and I have lost him! -- there is all I can say, and that says more than anything in the world.
After dinner I sang and enchanted the whole stormy family, except Papa. But I will not cast pearls before swine.

Notes

In English in the original.