Thursday, 19 June 1873

Just as I was finishing my third hour of piano, the carriage came with Maman's orders to transport the paintings. I was very glad, for I have been like Dante's sospesi for a week now.
Lo era intra color che son sospesi
E donna mi chiamo biata e bella
Tal che di commandare i la ricchiesi, etc.
The thing that vexes me most is that I am losing my time! Oh! it is dreadful. I weep over it; I have become pale and ugly on account of inward tribulations. The Lord has heard my prayer and we are going at last to settle. I set about quickly gathering all the paintings, and we fully loaded the landau only with pictures; twice it came to fetch them. What a splendid thing is to occupy an active part in anything. My amour-propre was fully gratified when I saw that all were indebted to me for the quick transport of all the little things which each apart seem nothing, and try to put them together, they will be more than the largest trunks. My pride was still more engrossed when Palajka said: Voila, s'il n'y avait pas eu Marie Constantinovna, aujourd'hui ils n'auraient pas transporte tout cela, je vous le jure. All my ambition is to be useful. [Crossed out: Far to complain that I am not a man I am very happy to be] Far from the desire of being a man, I am very glad to be what I am. In my understanding a woman can be just as useful to her country and to humanity as a man, and there was (not is) only difference in education. I cannot live ignoree et confondue in the crowd, I must distinguish myself. It is a pity that the people is still a little stupid and do not yet look at women as they ought to look, it prevents me from doing some brilliant [Crossed out: exploit] deed, and to occupy a place notable in the government, and to become the president of a republic, in France for instance, but no, it is too easy, in France each worthless talker is something and can be the president. But I want to become something in reward for my services, and not for a fine speech.
We are leaving this apartment. I regret it greatly — not that I find it comfortable and beautiful, but because it is an old friend; I am used to it. When I think that I shall never see my dear study again! I have thought of him so much there. This table on which I leaned every day and on which I wrote everything that is sweetest and most hidden in my soul. These walls where my gaze wandered, as though wishing to pierce them and go far, far away! In every flower of the wallpaper I saw him. How many scenes I imagined in this study, in which he played the leading role.
[Three lines cancelled]
It seems to me there is not a single thing in the world I have not thought of in this little room, beginning with the simplest and going to the most bizarre. There is not a circumstance in which I did not picture Hamilton.
Rich, poor, ill, his throat cut, dead, gone, near me, angry, kind, etc. etc.
Sometimes entire scenes played out in my mad head. I saw him ill, myself at his side — he is senseless. I cry for help; the doctors can do nothing! He dies! I raise my hands to heaven, I cry out, I throw myself on the ground! Nothing in the world can compare to my grief. Merely to write what I was thinking gives me shivers and a cold sweat and tears.
Truly it is such grief! I torment myself willingly, fool that I am. Oh! When I see him dead before my eyes and feel myself powerless, I cannot save him — he is lost forever! Oh! my God, turn these horrible thoughts from my heart!!! How can I not hold dear the place where so many dreadful things have tormented me, and yet so many magnificent dreams have consoled me for those horrors. The best always prevailed, and I carry away only good memories.
I am nothing more than a madwoman who knows how to hide her madness. Everyone who might read this would say the same.
All the same, I am very grieved to leave Acqua Viva. I remember in the spring (February and March), when in the morning at six I looked from the window — to the right, the Savit house; farther back, the Carlone house; farther still, the villas 57, Boreel, Canepa. To the left, the Acqua Viva pavilion, the Lyons pavilions, the big house, the Corinthian villa, the Villa Stirbey, the former Pension Renoir. Below, the magnificent garden; before me, the boundless sea; and above my head the sky, beautiful, blue, clear. I would lean my back against the window and tilt my head back to look at that beautiful sky. One feels a sense of dread looking at it like that. And that terrace! That terrace where I would stay with my eyes fixed to the right until the light disappeared and the repeated calls of the servants made me come in. What was it I saw, then? Where were my eyes fixed? His carriage at the door of that...! And I — what humiliation! I hoped that perhaps he would come out and I should have the happiness of seeing him. What is the use? Since in leaving her house he is full of her, and goes out only to return more quickly. What is the use? Since he will not even notice me, a poor creature sitting there, eyes weary. And to crown my disgrace, I will miss the moment when he passes quickly by. This was only to correct [?]: no! no! It was necessary to sustain in me the strength and vigour, the energy to be capable of something. I no longer see him and I have become limp, apathetic, lazy. But what happiness, too, when in passing he glances mechanically in my direction! How happy I am! And I do everything to persuade myself that it was me he looked at. I come home all proud, gay, and laugh like a madwoman through the whole dinner, and even while studying my lessons I let the book fall and, with a smile on my lips, build castles in Spain. I was several times caught in this way by Mlle Collignon.
And how, how can I not weep on leaving a house where I have felt so many emotions? Even each chair is dear to me; I am not indifferent to the lamp before which I write. And the inkwell! That is the main thing — it is from this inkwell that I have written all that these five and a half notebooks contain.
Maman and the others have gone to Monaco. I come home. My aunt received a letter from Mme Mortier; she writes that there are few people in Baden but good families. A charming letter. It was in her shop in Baden that I saw Gioia for the first time. I was busy trying on a hat when she came in; I saw only the hem of her dress as she left. Mme Mortier said something to Maman; I asked what. She told me:
There she is, the Hamilianina — how elegant, and not [?] very beautiful.
I very much wanted to see her. Since then I saw her three or four times in a carriage, but fleetingly and without paying attention. I did not find her beautiful. Now I do.
[In the margin: Every subject I write about ends with Hamilton. If I were to begin speaking of a voyage to the moon, I should surely find a pretext to work him in. I would let myself fall gently into my favourite subject without noticing.]

Notes

Italian: "I was among those who are in suspense" (Dante, Inferno IV).
Italian: "I was among those who are in suspense" (Inferno IV.52).
Italian: "And a lady called me, blessed and beautiful" (Inferno II.53).
Italian: "So that I asked her to command me" (Inferno II.54). Marie quotes from memory with slight inaccuracies.
Russian/French: "There, if it hadn't been for Marie Constantinovna, today they wouldn't have transported all that, I swear to you."
French: "unknown and lost."
This entire passage from "and we fully loaded the landau" is in English in the original, with occasional French phrases embedded.
In English in the original.