Poznámky
240 rue de Rivoli: an excellent address directly facing the Tuileries Garden, with a direct view onto the processional route. Marinovitch, the Serbian minister, was in the social circle of the princess (Bojidar's mother), giving the Bashkirtseff family access to this privileged viewpoint. ↩
The Bastien-Lepage brothers designed the funeral hearse: Jules Bastien-Lepage had been commissioned to design the funeral chariot, with his brother Émile the architect executing it. Marie's ambivalence — respecting the concept, regretting the execution — is characteristic of her critical precision. ↩
Hector borne back to Troy: the final books of the Iliad, in which Achilles returns Hector's body to King Priam. The image of the slain hero's body carried in triumph through the streets resonates with Gambetta's Republican heroism. ↩
Brass band (orphéon): a civic wind band, typically composed of amateur players from working-class or trade associations. Their funeral march "played too fast" is a detail of acute observation — the amateur timing contrasting with the grandeur of the occasion. ↩
Belleville: the working-class district of north-eastern Paris, Gambetta's own political constituency and stronghold. When the procession passed through Belleville the emotional intensity was at its height — these were his own people. ↩
Civil burial (enfouissement civil): a burial without religious rites. Gambetta, an agnostic Republican, was given a fully civil funeral — no priests, no church, no last rites. This scandalised traditional Catholic society, whose reaction Marie contemptuously dismisses. ↩