Diary of Marie Bashkirtseff

I must note my work each day, for when I reproach myself for doing nothing and call myself to account for time. A woman's head laughing — painted entirely, despite a visit from Claire and Louis. And from five to seven, modelling a life-size arm. Yes — I fear he mocks my music; all these instruments... In the end, the fact is that I am very sentimental at bottom, and he has wounded me, or will wound... He has wounded nothing — but it seems to me he will... I, who wound at every instant all sensitive natures by my philosophical and mocking exterior... I laugh at everyone, and at myself — but the idea that he, or anyone, might mock me!!! Even gently, even in conversation, even... Horrible, horrible. Perhaps I shall never see Jules again — but these reflections apply to another. What is called Jules at the moment is the Him of women — the Him one waits for. He was called Paul; he is called Jules; he will be called X, Y, Z. It is a formula to summarise briefly a thousand aspirations. I feel him as an enemy, and it paralyses me... One would have to...

Il faut que je note mon travail chaque jour pour lorsque je me reproche de ne rien faire et me demande compte du temps. Tête de femme qui rit, peinte entièrement malgré la visite de Claire et de Louis. Et de cinq à sept modelage d'un bras grandeur nature.