Saturday, 24 November 1883

These ladies try to make me believe it was two hundred and thirty francs — but I saw perfectly well that the 2 on the catalogue had been altered from a 1. They told the Princess and the others it was four hundred and thirty francs. O truth! In any case the hundred and thirty francs are real. These ladies cannot get over it; Dina says she thought everyone was looking at her, and Maman had turned her head away in terror. She had been expecting a sum varying from ten to fifteen francs, and so had I. I still can scarcely believe it, it seems so splendid to me.

Something astonishing has just happened and gives me great pleasure.

My fisherman, which I had donated to the Ischia lottery, turns out to be at the Hôtel Drouot as part of a collection of various paintings. The husband of one of the chambermaids came in alarm to announce that a canvas signed Bashkirtseff was at the sale rooms and would be sold this evening; Maman and Dina went and witnessed the auction — at the price of one hundred and thirty francs. Does one hundred and thirty francs not affect you? It affects me greatly. There was no frame — only a simple moulding worth twenty francs. So my painting sold for one hundred francs at the Hôtel Drouot.

And then — I have found my Nausicaa! None of the models who had presented themselves were right. What was needed was nobility, grace... in the end I have found her — and who is it?

IRMA!

I had not seen her undressed for a long time and had forgotten her; I find her admirably beautiful... except for the chest, but in this pose... I am delighted.

It was yesterday I thought of her, and Rosalie went to fetch her this evening. Harmonious hips, divine legs... She is at the Batignolles theatre. I am so pleased that I fear she will escape me; every model I have seen until now is a poor nag beside this. To think I had only ever painted her head!..

But enough — it is not interesting, and if I let myself, I should write a whole page on my Nausicaa of Montmartre. The face is gamine, but it will not be seen in this pose. An admirable neck, a back like a goddess. Now there is work to be done.

Notes

My fisherman: an earlier painting by Marie.
Ischia lottery: a charity fundraising lottery, to which Marie had contributed a work.
Hôtel Drouot: the principal public auction house for art in Paris, still operating today.
Théâtre des Batignolles: a theatre in the working-class Batignolles district, where Irma evidently performed.
Gavroche: street-urchin style — the word comes from Hugo's Les Misérables, in which Gavroche is the archetypal Paris gamin.