Wednesday, 5 April 1882

Dramas have occurred! Bojidar is in a state. Sarah Bernhardt, instead of coming to perform in Nice, has fled to London with her leading man Daria, whom she has just married — quite a mad adventure. What is the point of marrying when one is as free as she? But it seems it was he who wanted it. As for Bojidar, he is beside himself, saying Sarah is hysterical and that this gentleman is a scoundrel for exploiting an attack of madness.
And thereupon the most extraordinary stories, as usual — only Berthe could create dramas without head or tail and come and relate them. Bojidar gets carried away, contradicts himself, and ends by believing it all happened.
But have no fear — Sarah will be cruelly punished. In her absence it was Bojidar who kept the keys to her hotel; well, he is going to have them sent to her on a tray by his manservant.
— Well, and then?
— Well, it will mean she will never see me again — it is adorable. Certainly he had made himself useful and agreeable in the actress's intimacy, but to be so childish as to believe that a tray will impress a woman so madly in love. It seems his friends are furious. She must be mad. One cannot imagine Sarah married; it is something embarrassing and ridiculous for her, degrading for her husband.
He is a Greek... I cannot say why, but Greeks, Romanians, Montenegrins, Bulgarians — none of them give me the impression of people like us; rather an inferior race. Add to these Turks, Serbs, Armenians — I am mad, but these peoples seem to me something like crowds of cheats...