Thursday, 29 December 1881

Eight days since I wrote — which proves to you that my glorious existence has revolved around a little work, Mother Gavini, Villevieille and so on. Nothing new — and yet, yes, I am well — I go out; I went to try on dresses, to the Bois, and to Julian’s.
Saturday with Maman and Dina... And Sunday to church, so that no one should say I am at death’s door as charming Berthe is telling everyone. On the contrary — I am filling out again; the thin and withered arms of ten days ago are rounding out. That is to say, I am doing far better than before my illness. Eight more days like this and I shall have to stop putting on weight — I shall be just right, for I do not wish to recover the rather angular hips of three years ago. Julian, who came last evening, finds me much more harmonious this way.
We laughed all evening. I am doing the portrait of Paul’s wife; yesterday I had such a return of strength that I wanted to paint Dina, Nini and Irma all at once. Irma is not an ordinary model — she is the type now vanished, they say, of the grisette: she is comical and sentimental, with the innocences of vice. “When you have become a kept woman,” I said to her the other day. “Oh! I am not lucky enough for that.” She poses intelligently; one can make of her what one wishes, for with her extraordinary pallor she is equally well a candid young girl or an abyss of depravity, like all these loose women. She asked permission to stay even when not sitting, and spent the afternoon doing crochet before the fire.

Notes

The portrait of Paul’s wife — “Nini” in the diary — is catalogued as Portrait de sa belle-sœur (Alexandrine Patchenko), oil on canvas, 92,5 × 73 cm, monogrammed “MB / 1881”. It is in the Rijksmuseum, Amsterdam, inv. SK-A-1988, given by the artist’s mother in June 1902. In the diary she is usually Nini or «la femme à Paul»; Marie calls her «la belle Alexandrine Pachtenko» in 087.0105. ↩
Irma sat to Marie through 1882 for the head that became La Parisienne, portrait d’Irma, modèle à l’Académie Julian (oil on canvas, 55,5 × 46 cm), shown at the Salon of 1883 simply as Parisienne. It is in the Petit Palais, Paris, inv. PPP129, given by the artist’s mother in 1902. ↩