Friday, 23 January 1880

Tony’s mother is very ill; it has been three weeks since we have had any critiques. Breslau is doing a portrait of Mgr. Viard for the Salon.
As for me, I fret. That dear little pest Berthe came to spend an hour with us.
And I fret.
Thirty-six thousand things at once! Taine’s The Ancient Regime, then the politics of the Nouvelle Revue, then classical compositions, then one on Nana, then a novel or a play to write. And all of it at the same time; I have no time for anything, being busy until five o’clock or so in the evening.
The evening before last I wrote to three people to obtain tickets, and it is Krishaber who sends me some. He is related to the Prefect of Police Andrieux, and has a very fine house of his own, and connections.
Gambetta was not presiding; we arrive late (Thursday) and the session is closed at twenty past three. Besides, I only went because Gavini had no tickets. She had told me the session would be worthless, but I did not believe her; besides, it is old Adeline’s habit, she finds the Chamber tedious.

Notes

The first volume (1875) of Taine’s The Origins of Contemporary France. ↩
Zola’s Nana was then appearing in instalments in Le Voltaire (October 1879 to February 1880); it came out as a book in 1880. ↩