Tuesday, 8 / Wednesday, 9 October 1878

The successes won at the École des Beaux-Arts competitions by Julian's students have placed his atelier on an excellent footing. There are more students than can be accommodated. Each imagines obtaining a Prix de Rome, or at the very least competing at the École.
The women's atelier shares in this lustre, and Robert-Fleury rivals Lefebvre and Boulanger. At every occasion Julian says: "What would they say downstairs?" or "I should like to show this to the gentlemen below."
I have long been sighing for the honour of seeing one of my drawings sent down. For drawings are only sent down to boast before them and to enrage them — since they say that women are not serious. I have been thinking about the honour of going downstairs for some time; well, today Julian came in and, having examined my academic study, he spoke thus:
"Finish this well for me and I shall send it downstairs."
I am happier for it than I was at the birth of Pincia's puppies. Yesterday we went to Félix, who makes the most distinguished hats in the world and the most adorable dresses.
Thanks to my painting I have lost all my chic and look like absolutely nothing.
We shall remedy this. Laferrière is to fall from favour, and Félix and Doucet will make me the most ravishing things of the best taste.

Notes

Jules Lefebvre (1836–1911) and Gustave Boulanger (1824–1888) were established academic painters who taught at Julian's men's ateliers; they and Robert-Fleury competed for the most talented students.
Jacques Doucet (1853–1929), the great Parisian couturier who also became one of the most important art collectors and patrons of his era.