Thursday, 29 June 1876

The Russian newspapers announce court mourning for the death of the Grand Duke of Mecklenburg-Strelitz, husband of the Grand Duchess Hélène, daughter of Grand Duke Mikhail, uncle of our Emperor. They also announce the visit of Prince Humbert and Princess Margherita to St. Petersburg; on this occasion the court will not leave the city as is customary, and the Winter Palace will be transformed into a true summer residence.
This reading has shaken me. I must pass through St. Petersburg on my way home, but I shall try to find another route. I have no desire to choke on envy and rage. Maman says there is Princess Galitzine — she is certainly in society... but she is ruined and unhappy. I have money — but does she have influence? Ah — it is sad, it is oppressive, it is maddening! My father has connections in St. Petersburg; my father is marshal of the nobility... let us write to him.
I wrote him a charming letter, and burning with impatience and anxiety, I set to... having Amélie pack my dresses. It is always a step toward departure, toward my goal. I was exhausted simply from looking at the heap of gowns. Marie-Antoinette, Empire, Charles VII, medieval, Louis XV, Jewish style, etc. — there are gowns of every style, for each style is adored in succession. And then the pelisses, the overcoats, the fichus, the sashes, the scarves, the alms-purses, the hats, the shoes. Ah — the shoes above all merit attention. There is one black pair with red heels; the others are white but of different fabrics and shapes. There are also mules in blue brocade lined with satin, with bands of antique-style embroidery, which I admire to such a degree that I rarely wear them, so as to keep them on the mantelpiece as ornaments.
All these niceties of dress will amuse my dear princess. Ah — if I were niece of the Pope. Is it possible that I should have only the understanding, and nothing else! The Belotti girl desires only a ball in Nice and a suitor like Monsieur Luccarini; the Boutowskis... why cite examples. I know only that all these girls have no ambition beyond going to the Préfecture, while I, wretch that I am, have all the ambitions — I conceive of everything, and I have nothing!
Yes — Antonelli loves me; if he did not love me he would act as before; but on the contrary, he is trying to win his family's favour, enduring all their Jesuit practices. — You think, he used to say to me, that it is amusing to listen for hours to the rector's sermons or my father's chatter, and always bow one's head and say yes. Were it not for you, I should not submit to all these torments — but I love you and I must obey them; I must appear to be everything they wish, because I have seriously thought about you. Besides, he need not say it — one can see it perfectly well for oneself when one examines things with a cool head.
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Reading all this, I begin to be reconciled with myself. He is entirely changed. He loves me — and it is I, wretched and vain, who do not love him! Punish me, my God, if I deserve it — but I will not lie either to myself or to you. Yes, I am vain, I am ambitious, and that is what makes my misery. But I am good, delicate, generous, great of soul. No one will dispute that.
Wretched Collignon — who, in return for my hospitality and my goodness, speaks ill of me — I have nonetheless offered her to return to my household, for she is poor; she is spending the last of the money accumulated over fourteen years of work. I have many such examples to cite; I ought not to do so — but it must be known, to excuse my abominable passions. Who said that ambition was an abominable passion? That person was a fool or a Jesuit-Diogenes.
How I should like to love, I thought this morning — to love with all my soul, in order to understand... I remember how Pietro looked at me, how his lips trembled when he said: I love you; how his eyes were exalted, transported when he held my hands in his, on the eve of my departure, as I smiled at him in response to all those plans for the future. It was he, at last, who loved — and it was I who let myself be loved, feeling only the pleasure of the moment; but I appropriated to myself all the feelings I supposed him to have.
And it was I who wrote the entry of 7 June? It was I who reproached Antonelli for everything he ought to reproach me for? Yes — I understood all those exalted feelings, and I was furious that he had the audacity not to have them.
Oh! How I should like to love — to feel in my turn all that I wish others to feel. To love a man who loves me, and not a phantom. But at this point in my reflections the idea came to me that love as I understand it would be the sacrifice of everything, if need be; it would be to love the man and not his fortune or his name; then I would no longer think of all these golden dreams — I would abandon them, and what is worse, I would abandon them without regret, because those dreams would have no attraction any more. For that is how one loves, is it not? And at that thought I was so frightened that I made the sign of the cross, begging God to spare me this tedium. It is better to be in love as I am now. One is just as happy, and one sacrifices nothing. Does not amoureux rhyme with heureux?
One's heart is just as full, and lighter besides. There will no doubt come a moment when I think otherwise — when I think that what I am saying now is wrong; but it will be at that point that I shall be in the wrong, and I shall not feel the wrong!... Oh! I hope that will never happen. I hope I shall never have anything to do with those desiccating loves — as in novels.
I shall be in love — I shall weep, I shall sigh, I shall laugh — and that is all. What I fear is thwarted whims: for a thwarted whim I feel myself capable of the greatest follies, just as for a genuine passion — unless another whim consoles me.
The day when I cannot be consoled — that will be Love: ignota avis. For what I have felt is not love as it is described — and yet, I believe it is. Only my character is not that of Walter Scott's heroines; I am not susceptible, I am not eternal in my loves. Vivere — gaudere.
I love the man — but without ceasing to regard him as a kind of amusement or profit: a dangerous or useful animal, above all an agreeable one. Ah — but that is truly atrocious!
I had been ashamed of having boasted so much of being pretty and charming, etc. — I feared Antonelli might be thrown in my face as proof to the contrary. But now you see that he loves me — I am therefore beautiful; I am therefore loved. I went too far: without that, it would have been just one more conquest. I am loved. That makes three in Rome.
Let Antonelli try to stop loving me and I shall go back to seeking pure love!
But — I do not deny it; no doubt pure love, devoted, absorbing both mind and heart — yes, in others. And I am even very vexed when I am not loved in that way. I was even astonished that Bruschetti did not blow his brains out after my refusal. But that man is nothing but a sack! Fie! Yes — all that in others. And I am excessively grieved when I do not find this pure love — this love of Raoul de Bragelonne: grieved, offended, wounded. As for me — that is different.
I hope God will not send me that tiresome love as a punishment for my misdeeds. After all, it might restore my calm by absorbing me entirely. But I do not want it — I fear it — I detest it! I wish to love as I do now; besides, I understand nothing about it. Love and ambition are one and the same in me, as the body and the spirit are one. That is the truth.

Notes

Grand Duke George of Mecklenburg-Strelitz (1824–1876), married to Grand Duchess Catherine Mikhailovna of Russia. He died in June 1876.
Going to the Préfecture: i.e., to be married — a civil ceremony conducted at the prefecture.
French: amoureux (in love) and heureux (happy) rhyme — a neat pun on the equation of love with happiness.
Ignota avis: Latin, "an unknown bird" — something rare and unencountered, as yet unknown to her.
Vivere — gaudere: Latin, "To live — to rejoice."
Raoul de Bragelonne, the hero of Alexandre Dumas's Le Vicomte de Bragelonne (1847–1850), who dies of a broken heart after his beloved Louise de la Vallière is taken by Louis XIV. The epitome of self-sacrificing, absolute love.