Saturday, 10 June 1876

I coughed up blood this morning, but having forgotten it, towards four o'clock I was tidying my music when Dina came to propose an idea which I approved with all my heart, and all revived I threw a bedouin cloak over my "Rachel's dress," as Bibi calls it, and put on a brown toque which gave me the look of I cannot remember which painting.
We were there discussing Dina's idea with Collignon when that idiot Marie, without warning anyone, admitted Laurenti by telling him that the young ladies were at home and might receive him, then came to tell me that "this gentleman, he is there." There was no retreating — the more so as he had seen me through the window — so I received him with Collignon, and before she arrived he paid me several well-turned and rather lively compliments. The carriage was announced and we went out at the same time; he asked whether one might find us in the evening.
We had scarcely set off in the carriage before Collignon fell into a rage against Laurenti — she hates him as I hate Bruschetti. She attributes to him every bad quality with such ardour and conviction that my own personal opinion of him is completely shaken. I have not been out for a long time, but I have lost nothing — not even Audiffret, who left the day after I saw him.
We went to a bookshop. Dina came down with me and we entered laughing. — Do you print death announcements? I asked the clerk cheerfully. — Yes, Mademoiselle. — Then you are going to print some for me. — For a marriage? the clerk asked, smiling. — No, for a death, I said, smiling too. — A death! And with faces like that, the man seemed to say. — Yes, it is a joke. — Ah! I understand — would you be so kind as to dictate? I dictated: Monsieur Babanine, Madame Romanoff, Madame Bashkirtseff and Mademoiselle Bashkirtseff have the honour to inform you of the painful loss they have just sustained in the person of Mademoiselle Dina Babanine, deceased at the age of eighteen years. Pray for her. — You will print two copies. — For two, that will be rather expensive. — Ah! well, sir, it is better not to make use of such letters. And we went back to Collignon in the carriage — she had never ceased to oppose this lugubrious joke.
As for us, we thought it would produce a superb effect on the Romans — for the letter is destined for Antonelli. We already picture to ourselves what will be said at the Cercle. And Collignon never stops disapproving — saying it is making oneself conspicuous, that people will speak badly of it, that it is reminding oneself to people's memories, etc., etc. Barely home, I understood that this joke could not be played on Antonelli in the present circumstances — it would truly be begging for attention.
Picture me in admiration before Epictetus. It is a reading that does me immense good. What do you say to this? — "Illness is a hindrance to the body, but not to the will, unless the will chooses so. Lameness is a hindrance to the leg, but not to the will. Say the same to yourself at every incident; you will find it is a hindrance to something else, but not to yourself." And further: — "When a raven gives an ill-omened cry, do not let yourself be carried away by the impression; make a distinction in yourself at once, and say: In all this there is no omen for me; there can be one only for my body, my fortune, my reputation, my children, my wife. As for me, all is of good omen, if I will it; for whatever the event, it depends on me to profit from it." That relates to what I underlined so heavily yesterday. — I would be a woman who cared about nothing, I said, for I look upon my life as something foreign to myself. — But since I have placed in this life all my pride, all my happiness, and all my glory, I am very unhappy when this life does not proceed as I desire.
— "If your body were entrusted to the first comer, you would be indignant: and yet, when you entrust your soul to the first comer, to be troubled and overthrown by his insults, you feel no shame?" A splendid argument! But listen to this: "Ask not that events should happen as you wish; but wish them to happen as they do happen, and you will go on well." That is too Stoical for me. By that reckoning one must desire nothing. I was reading this, full of admiration and wide-eyed, while Collignon and Dina ate strawberries in front of me.
I heard my family return from Monaco and go to the pavilion to scold them. I come back delighted. Before going to the place of perdition, my mothers went to Madame de Wykerslooth's. She asked whether the Sapogenikoffs were writing, and on learning they were writing only to Collignon, she grew angry and indignant, saying that Madame de Mouzay was quite right when she said that Marie was wrong to neglect her daughter and spend her time with those little hussies who would repay her only with ingratitude. This led to protestations of friendship, and Jeanne — I shall call her that; it is easier, and that is what we all call her — told how she quarrelled with Madame Skariatine, who had been speaking ill of us, by telling her that she and her mother had known us for five years (which is true) and knew perfectly well the source of the slanders she was about to repeat. Jeanne added that we have only three enemies in Nice: Tutcheff, Skariatine, and Boukowski. But that if there was ever a bad reputation, it was three years ago — at present everything has changed. She urges and begs us to go to the Prefecture in autumn, swearing on her mother's honour that Maman will be feted there, for the Prefect's wife is a charming woman, a great lady and most kind, and that once there everything would change. Madame de Ballore is [words crossed out] related to Madame Darcy, the Prefect's wife. You cannot imagine how Jeanne's warm friendship touches me — she does not know that she has acquired in me an eternally devoted soul.
But that is not all. I told my aunt about the death announcement and my reasons for not sending it. — Oh! Quite right, she said. — No doubt, I said — you understand it will not do with a man like Antonelli. It is not worth the trouble. One would look so desperately eager! A man who loves me so poorly. But you know, I continued, that I am coughing up blood and need looking after. — My dear, said Walitsky, if you keep going to bed at three in the morning you will have every illness there is. — And why do you think I go to bed late? Because I have no peace of mind. Give me peace and I shall sleep in peace. — You could have had it — you had the opportunity in Rome. — With whom? — By running away with Antonelli... — Oh! My dear Walitsky, what a horror... And with a man like Antonelli... think what you are saying! A man without opinions, without love, without will. What nonsense you have just said! Oh! Really!... And I began to laugh softly.
— He does not write and does not come, I continued — he is a poor child whose importance we have exaggerated, and with whom we have lowered ourselves to no purpose. No, my dear, you understand — he is not a man; and truly we were wrong to think otherwise and to waste our time on him. — Have you not received a telegram? asked Walitsky. — No, but what was yours? — This: I have won two thousand francs; when will you come and play together? Reply paid. — We received nothing. — Oh! Oh! That is bad. — He is not in Rome, my dear — they have sent him to the country, no doubt. When I told you he was not worth one's attention — a wretched scrap of nothing whose importance we have exaggerated: nothing more. I said these last words with the same calm as throughout the whole dialogue — a calm arising from my conviction that I had spoken truly and correctly.
I went home and it was as though a great light dawned in my mind. I understood at last that I was wrong to permit the kisses and to give rendez-vous at the foot of secret staircases — that if I had neither gone into the corridor nor anywhere else, nor sought the tête-à-têtes, the man would have had more consideration for me, and I should have had neither vexation, nor tears, nor shame. One must always hold to one's principles. I strayed from mine; I behaved madly — arising from the attraction of novelty, from the readiness of my mind to become exalted, [annotation] Paris, 1877. How I like myself for speaking thus! How agreeable I am. and from my lack of experience. Oh! How well I have now understood everything! And the Antonelli family itself would have acted quite differently had I conducted myself with my habitual dignity — and I should have had neither troubles nor reproaches to make to myself. One must never let oneself grow exalted. Ah! My dear friends — what would you have? One is young, one makes mistakes. Audiffret taught me how to conduct myself with men; Antonelli has taught me how to conduct myself with suitors. — "Live a hundred years, learn a hundred years." It is not my lack of experience that is to blame — what made me act as I did is the same thing I so bitterly reproached Antonelli for in last Wednesday's journal... The heat of the blood, the electric current that passed through me at contact with this man's amorous words. Oh! How clearly I see — oh! How calm I am! And how I feel no love at all!
The first thing I did on entering my room was to kneel down and thank God. Oh! If Jeanne's words were true! Everything would take on a different aspect — I should have nothing more to fear, nothing more to weep over! God would have heard me at last! I would be like everyone else! Oh! How happy I should be, Jesus and Lord! Here I am, calm on every side. The Antonelli question is resolved, the torments over. And that other great question. I could not contain my happiness and gratitude. I regret nothing any longer — I see that I love no one; I am going at last to live in peace. In peace! You do not understand what that word holds of joys for me! God comes to my aid. God watches over me; God sends me a consolation through the lips of dear Jeanne. It is over! Melancholy, tedium, sadness — away from me! I shall go out every day, be merry, hope. It is over! Ah! son felice — «Ah! son rapita... I sing Mignon and my heart is so full I hardly know what to do with myself. How beautiful the moon is reflected in the sea — how adorable Nice is! I love everyone! All the familiar faces pass before my eyes, kind and smiling.

Notes

Epictetus (c.50–c.135 AD), Greek Stoic philosopher, born a slave, whose Enchiridion (Handbook) and Discourses were widely read in 19th-century France.
"Ah! son rapita" — from the 1866 opera Mignon by Ambroise Thomas, based on Goethe's Wilhelm Meister. Marie is singing from a role of a longing, displaced young woman — an apt identification.