Monday, 24 January 1876

I was at the photographer's while they were preparing the glass plate; I amused myself by opening a book and calling out two numbers at random — one for the page, the other for the line. Each time I asked what Audiffret was doing, or what was happening to Audiffret, the book answered me with things about marriage, so that my last sitting was dreadful. I was tormented and anxious.
The archimandrite was with us — a charming rogue who, after having been a soldier, turned monk out of despair at losing his wife. He tells us there is a Mme Doukoskine who is very eager to make Maman's acquaintance. On returning from the photographer's, such dark thoughts fill my head that I do not bother to dress and let Maman and Dina go out without me. Left alone I wander, I sing Mignon, I am sad, and I end up writing this:
Most Honoured Sir, In the name of our holy and most venerated Mother Superior we have the joy of informing you that your heart, recently extracted from your body by order of M. the Prefect and through the executive agency of M. Charles Innogisin, was returned to us last evening by a pious soul who delivered it from the hands of the policemen and the prison wicket, where it was languishing. Having had it carefully stuffed, we have placed it in our alms-box, and hold it at your disposal. We have the honour, most Honoured Sir and old scoundrel, of being your most humble servants. The Sisters of the Good Shepherd.
[Cancelled words: to M. Léon d'Audiffret.]
You are requested to deliver this letter to the father of that wretched Émile. May your patron saint keep you. The Sisters of the Good Shepherd.
To M. A. Saëtone, rue de la Terrasse. In the city.
What a devil of a head I have! For a few lines read at random in a book I torment myself like a madwoman.
And no one to bring me news from Nice, to tell me who this woman is!
I should like to be there — no, there it would be worse still. And who would tell me? And through whom could I know!
Wretched state, wretched torment!
What a face I shall make if he gets married! I know it is ridiculous to worry about it, but at home they have talked so much about this man that everyone (myself included) has come to regard him as belonging to me. At home they have the immense, unpardonable, inconvenient, harmful and ugly habit of assigning me every gentleman I know. Tournon paid me a compliment — naturally, Tournon is in love! Pépino admired my dress — poor Pépino, how he adores me! Audiffret danced with me — wretched young man, he is dying of love! And then when these people speak to other women, one looks completely thrown off; and when one of them courts someone or gets married, one is quite ashamed, confused, miserable. And I find myself in the most false position in the world — not that I share the imagination of my family, but because they have the air of saying:
Ha! Ha! There is Marie abandoned — he preferred that other woman to her!
It is hell!
By their stupid chatter they create for me a heap of useless and extremely tiresome torments.
It seems to me that all of Nice will look at me if the Surprising One gets married.
God, what anxiety! When I read a great deal I write little — I have read a great deal this evening and I have difficulty recounting my day.
Every moment I feel the need to say that I consider the opera Mignon by Ambroise Thomas to be the most adorable opera in existence — as subject, as words, as music. I cannot and will not listen to anything else. In Mignon there are airs that stir you to the depths of your heart, that make you weep, that drive you mad! For every circumstance one finds an air or a few chords — it is especially good for me, who expresses my mood through song. But it is incredible how I adore Mignon — I know all the music by heart, every chord, every accompaniment, everything, and I adore and admire everything and I want to repeat it at every moment and at every instant and I shall never have said it enough.
Truly accursed man, unworthy scoundrel, filthy man from Nice! How he has humiliated me and how he torments me!
My God, if I could only take revenge. There is no insult that is not sweetened when one sees vengeance at the end of it.
He has not wounded me so much as Marie as he has wounded me as Mlle Bashkirtseff! He has made a mockery of me, of us — and spat on top of it.
Ah! Audiffret! Ah, Nice!
God, would that I had the power to pulverise all of it, to massacre that whole society.
To see the last man from Nice at his last gasp — I, sole cause of it — and die of pleasure!
Ah, yes — to wring the neck of them all, all those vile creatures who rebuff me and slander me.
On the 7th of February the Vicomtesse de Vigier is going to sing an opera at the Cercle de la Méditerranée for the benefit of the poor.
Bigre de bigre, de bigre, de bigre!

Notes

In English in the original.