Notes
Le jour des morts — All Souls’ Day, 2 November; a Catholic day of remembrance when the living visit cemeteries, and the Nicois take to the promenades. ↩
Le détroit des mouches — Marie’s ironic coinage for the narrow social world of Nice in the winter season; the fly-season metaphor suggests the fashionable crowd descending on the Promenade. ↩
En tube — wearing a top hat (cylindrical in shape); fashionable male headgear of the 1870s. ↩
Rumpelmayer’s: the confectioner’s and tea room of Anton Rumpelmayer (1832–1914), a pastry-cook from Pressburg (Bratislava) who came to the Riviera around 1870. His later Paris tea room in the rue de Rivoli (1903) is today’s Angelina. ↩
Un froid de loup — literally “a wolf’s cold”: bitterly cold. A vivid animal metaphor. ↩
Faire le coq — to strut like a rooster; a self-mocking image for pride and showing off. ↩
Châtelaine — lady of the castle; the household’s joke that Marie will marry Audiffret and become mistress of his castle-like house across the street. ↩
In French in the original: Portez ar...-quebuses ! Oui papa ! — a line from Alice de Nevers, Marie’s current comic catchphrase (see previous entries). The comic effect depends on the pause before “-quebuses” and the daughters’ chorus response. ↩
Le ton de Pantalon — the manner of Pantalone, the pompous, verbose old merchant of the commedia dell’arte. Marie has absorbed Audiffret’s affected speech mannerisms. ↩
In French in the original: La secousse — the thrill; see entry of 29 October. Even through gloves, the electric charge transmits. ↩
Je suis cuirassée — literally “I am armoured/cuirassed”: I have my defence in place. Marie’s strategic thinking: by announcing her Paris trip independently, she cannot be accused of following Audiffret if he also travels. ↩