Tuesday, 25 August 1874

At half past two Miss Foster and two other Englishwomen come, and we go together to the pier with the Tamancheffs and everyone. I was talking with an Englishwoman, ugly and red-haired; having her pronounce Russian words, I found she pronounces the kh sound. I asked whether she was not Scottish; she is.

Then, after a hesitation, I spoke to her about the Duke. She has seen him, and also his wife. She is not at all pretty, but she is very wild. This girl told me she has seen the Duke of Hamilton on the Isle of Arran, which belongs to him, racing with the peasants, etc., etc.

His wife, she says, is as mad as he.

Already on the pier I begin to be as sad as a year ago, and as preoccupied. I would remain for hours quite alone, provided I were left in peace.

All my intimate thoughts consist of doubts and reassurances [sic]. It often seems to me that I love no one, and then all at once I see the contrary, as today.

I weep and laugh at myself at the same time. And I feel this something inexplicable, extraordinary, strange.

Could it be true love? I do not know, but I feel it only when I have seen, or spoken of, or thought about the Duke.

To spend the last hours together we dine at the Grand Cafe hotel. I eat nothing.

Afterwards we go to the salon: Dina, Lise, Katia, myself, Paul and Georges. Lise, that heart of gold, is already crying. I sang. Now that they are leaving I am very sorry.

We go to dress for the ball, but they come to our rooms at nine and watch the preparations. Lise held the candle and wept as I was doing Maman's hair.

At last, after kisses and the most tender farewells, we part. I miss them already.

My aunt brought me from Brussels some remarkable shoes and pink stockings. I am in pink -- these stockings and shoes with Chinese points, black velvet straps and steel buttons. I have a foot this evening such as I have never seen.

Maman has a very fine white dress.

[Crossed out: At the ball] We find places to the right.

I shall be brief; I have not the time. They nearly cried out at the sight of my feet.

Doenhoff came to say that a gentleman is pestering him for an introduction, but he does not know him well enough. That is to say, this man is not a Plobster.

"It is useless to introduce him, Count," I say (I know who it is).

It appears I have admirers I do not know; a Frenchman spoke yesterday to Georges Tamancheff about me.

Not only was I stared at, but people came from every corner to see me.

I was asked to dance several times, but instead of dancing the whole time I strolled after a single turn.

Never have feet produced so great a sensation.

Just as we were about to leave, standing in the middle of the hall, Plobster appears. I say we must stay ten minutes more.

But here is an extraordinary thing: I look and can hardly believe my eyes -- it is Doria Pamphilii I see, towering a full head above the whole assembly, like Diana above her nymphs.

At that moment Foster I comes to invite me; I accept, and we stroll through the rooms, neither he nor I being fond of the polka-mazurka. Doria alone did not see my feet; the two gentlemen with him started, nudging each other, but Doria saw nothing, in my opinion.

He is falling under the influence of the country and is beginning to grow a beard; it suits him very well. Truly, with all this joking they will end by making me find Doria more than handsome.

I go to bed late, around one, and intend to rise at five to see the Tamancheffs off to Bruges. They are rich and noble, yet have no airs at all, and often do things like taking places behind the rope at the races.

I think of the Duke of Hamilton, who occupies me today as he did then.

I am ashamed; I laugh at my childishness and I weep and I torment myself.

I could not fall asleep; I jumped out of bed and in the darkness wrote on a sheet of paper: His Grace the Duke of Hamilton. Lise told me that if one wishes to dream of a person, one must put his name written under the pillow.

And so I fall asleep smiling, weeping and raging.

Notes

In English in the original.
In English in the original.
In English in the original.