Friday, 8 May 1874

I have wept and scolded again. They irritate me terribly. Can I obtain nothing without cries and lamentations? "Ora incomincian le dolenti note a tarmisi sentire."

^[Italian in the original. Dante, Inferno III.25-26: "Now begin the woeful notes to make themselves heard to me."]
There is the beginning of all our journeys. Must every pleasure be poisoned?
I have finished "The Vicomte de Bragelonne." The last part is too heart-rending; several times I could not hold back my tears, other times I rose up indignant, moved, grieved, my fists clenched. What a child!
From morning until six o'clock I have hardly stopped weeping. It is almost always when I dream of the Prince de Wittgenstein; last night I saw him quite distinctly, only he was uglier than he really is. Why do I never dream of the Duke?
By the way, I was thinking the other day that it is very strange and humiliating to begin loving a man one does not know, to whom one has never spoken, and who can never, who can never... well! no matter, it is humiliating all the same -- this (my wretched Latin tutor gets everything backwards; he made me change the spelling of Fedus twice. I did not want to call the count Foedus but Fedus, with f e. He confused me and made me write nonsense, that triple fool! which I am doing).
And yet it is not imagination; I feel for Alcibiades something strange, something I cannot explain to myself -- in my ignorance I conclude that I love him. What annoys me is that I fear appearing ridiculous in this diary. Two years ago I was a child, a baby; I am not much more now, but at least my person has taken on a more suitable appearance and I look as though I am seventeen. When I think how ridiculous I must have been with my droll jacket and those high collars! I wore all that out of love -- no, out of admiration for the person of M. de Hamilton, who wore clothes of the same fabric as my jacket, and high collars folded down in front. I also tried to imitate his gestures and his bearing, his gaze, even his face. Now that it has passed, I can say everything. Henceforth I shall tell the whole truth, concealing nothing, so as not to resort to explanations which, being distant from the fact, may be incomplete or inexact.
I remember one day I dressed myself terribly -- a jacket of fuzzy yellow fabric, a Hamilton collar in pink, and a red satin cravat. Fortunately I went out by carriage and there were not many people about. I was radiant, satisfied. I am now above these extravagances or follies or raptures. I no longer give myself over to admirations that can make me ridiculous. I admire, but I do not deceive myself. What is sublime in a man is hideous in a woman. Every year I improve and I understand my faults more and more.

^[In English in the original.]
If I were a married woman, these extravagances would suit me up to a point, but in my condition -- fie!
At six o'clock I go out with Dina; we walk around the port. It is so cool that it is cold.
They have stolen a day from me -- we are not leaving until Sunday -- and they have stolen Piccon from me, dear Piccon who was beginning to know me and whom I was beginning to love.
Paul sold my dog to that wretched Jew who wanted perhaps ten francs for him. I said nothing about it; I believe my worthy brother wanted to vex me, so to spite him I shall take care to show nothing.
All of a sudden, in the evening, I go to the theater; they are giving a comic opera -- I have never seen "Le Caid." It was amusing, but less so than the Durands at Lewin's box where Mme Prodgers formerly reigned, and Mme Prodgers in a box beside Lewin at Saetone's opposite. For the finale, the Durands sent bonbons to Mme Prodgers -- bonbons that Lewin had brought them. Poor Prodgers, I pity you!
But these Durands who jump, who laugh, who lean, who shriek, who cling, who grimace like monkeys! These Durands with their astonished air, their arched eyebrows, their mouths jauntily half-open and their arms going like the sails of a windmill -- these Durands are annoying and stupid. Clementine has a peculiar face, an astonished, avid, dazed, grimacing air; she is sure of her beauty, that astounding girl. Her beauty, which I dispute, for example! It is not beauty -- the bloom of youth and terrible manners, that is all.
We were five in the box: myself, Dina, Nadia, Bete, and Bijou -- a family outing, in a word.