Saturday, 31 January 1874

I ride out without Dina, and I am quite glad of it -- she cannot ride and only bores me. I pass along the Promenade, but the sun is so strong I could not see the faces at the strait, so I return home and stay a few minutes resting and cooling off in the shade of the wretched trees at the Villa Baquis. I go out again; this time I pass through every little lane imaginable. I wanted to pass before the balcony where perhaps Khalkionoff is -- that poor boy truly dying, on the point of death, no hope. His mother arrives soon, poor woman. I wanted to pass before him and greet him -- it would give such great pleasure to that poor child; it is, I believe, three months that he has not left his room -- but I did not see him. From there I go by the rue de France to avoid the sun, and past the pont Magnan I have a good galop, but what we call the grand galop; I turn right under the railway bridge, where the echo is terrible; I undo my hair and let it fly, for I felt that under my hat the combs and pins were dancing. The groom is thrilled by my grand galop.
I arrive thus, triumphant, at the Promenade, the sun at my back, which did not trouble me but on the contrary gilded my hair admirably.
I canter just enough to keep with the carriage and talk to Dina.
The two young ladies (Galve and Choupinski) are on horseback.
I was saying that I love everyone -- that is, I love no one -- well, those two managed to please me. Mme Antonsky, Count Yorkoff, Princess Gagarin are on foot; I stop to tell them that Maman stays at home on Fridays; for a few minutes I speak with them, and at last I go home. This Rob Roy does nothing but canter,
but he canters well and I am used to it, and I ride very well, I think (I notice the immense number of I's I use, but I cannot do otherwise). I have dropped Brunet. This morning I made a solution of I do not know what; Josephine took the glass, carried it to the pantry, and the foolish Trifon drank a quarter of it, thinking it was wine. Fortunately it was not a violent poison.
I am pleased with myself and my ride. I propose to laugh this evening at the French Theatre. The benefit performance for Ravel -- a heap of nonsenses; he will conduct an orchestra, the actors placed among the audience will cause a disturbance, etc. etc.
I am hoarse as a horse.
I take the old blue cashmere rag, put it on, Russian leather belt (white lace fichu, pretty; hair good, face good, everything good). From the vilest rags I always know how to make something -- even something pretty, sometimes. I am very pleased with myself this evening; open in a heart shape in front, on my white neck nothing, as usual; hair as usual -- I powdered it a very little to make it more vaporous. The theatre is full, but there is no one. Ravel is charming as always; I laughed, but with my mouth closed, for there was no one, and I was bored. It is foolish to look well when there is no one. I return utterly exhausted and remain half an hour on the first chair I encounter. I ate a tangerine, an orange, and two apples; sitting, I was thinking of taking the orange on the table, but I was so lazy I did not want to stretch out my arm; while I deliberated, Dina came and took the orange. I am glad of it, for now I can leave.
Oh, with what pleasure I would have thrown myself on the bed that instant, but I must do my hair, write, etc. etc.
Returning from the theatre, we spoke of the season this year. Maman is of my opinion -- it seems to her too that the races were odd, that they seemed unfinished.
Alas! Alas! Alas!
How foolish I am.

Notes

In English in the original.