Wednesday, 10 September 1873

I uncovered my forehead; everyone finds me better this way. I keep it so all day -- perhaps for ever. That is to say, I swept up the little hairs I wore on my forehead, but the next day I lowered them again, and since then I wear them long.
I wanted to draw a laughing head -- partly successful; I missed the teeth. It is only a sketch; tomorrow I shall set it right. Garach comes; Maman's outfit is pretty, my pink bodice suits me well. Today the confrontation between Makaroff, Khalkionoff, and Walitsky took place. Paul was there. Makaroff is a madman and a coward, but when Walitsky begins to say something, Makaroff backs him up like Pitou. The two of them, Makaroff and Walitsky, obtained a retraction from Khalkionoff -- the whole affair is charming. There are a thousand more curious details, too long to relate, which I shall remember. The Princess with her French!
The English lesson over, I go to the drawing room where I find the Beast. I criticise the furniture; she defends it. "It is in this little (yellow) drawing room," she says, "that the Duke will make his declaration" (comically) "that he will ask for your hand and your heart; it is here that you will say to him: Come into my arms, you bundle of charms!"
-- Oh! certainly not; I shall never say that, I say. Tell me, Princess, I beg you, where did you get this duke? How could you have invented such a story?
-- Because you must be a duchess, and he is rich.
-- But I do not know him.
-- That makes no difference; you have a naughty little muzzle.
-- I shall never be beautiful. Pretty, yes; for beauty I lack the figure -- I am not tall enough.
-- At your age, you will fill out; rest assured.
-- It is not stoutness I mean; I am short.
-- But you will grow; I grew after the birth of my son, just like that.
She spoke to me of I no longer remember whom, of coquetry, of conquests.
-- But I am a little girl; who will look at me in my short skirts? You are funny, Princess!
-- Why, my dear, who looks at petticoats? At fifteen it already begins. And besides, as things stand now, everyone wears rather short skirts -- truly, one cannot tell the difference. Men court girls of fifteen.
Again with her Duke -- who on earth could have put such a thing into her head?! "Mystereu."
But it would be devilishly fine, what she tells me. It is not merely because he is My Lord the Duke of Hamilton, but because in him everything is united. He is rich, young, noble, and I love him. Boreel pleased me, but he is not rich, nor titled. Miloradovitch is rich, young, noble, and single, but I do not love him. Hamilton has everything.
[Written across the page: It is a fable to see how I choose among a heap of men I do not even know.]
Certainly I am well pleased that he is a duke and rich. I could not live in poverty. But if... if it could be, what happiness! Nothing would be wanting: pride, ambition, luxury would all be satisfied. To say nothing of the heart, for the hundredth time, I love him. Were he a coalman -- no, I push the thing too far; people who are beneath me are to me like dogs, like birds, etc. -- I cannot regard them as men. But let us suppose he were a gentleman and not rich; he would please me just the same. I should hate him, to be sure. I could not bear to love a man I cannot marry; I would fly into a rage and detest him. I feel it would be so.
Besides, what is the use of imagining all this nonsense? I cannot, I will not see him otherwise. I am satisfied as things are; I would not change them for the world.
That is how one is! When everything is perfect, all is well, one conjures up all manner of mirages, of follies!
-- My dear child, you will marry him! Are these the words of the Beast, uttered by chance, mechanically, for the sake of saying something, that provoke all these fantasies over six pages? If so, you are a great fool, my girl!
It is true: a word, a gesture, set me dreaming, fantasising [sic], imagining a thousand things. What is to be done? The happiness is so great, so incredible, that I lose my head; my feet no longer touch the ground. Come now, enough chatter! In the evening we stay in the dining room; I burnt sugar, the Beast did too; Papa sat in his armchair, Paul beside him, in another corner of the room. We chatted quietly -- almost the first time in our lives. My aunt sat pensive in an armchair, Maman beside her. The Anitchkoffs arrive with the children -- oof! Madame settles near Papa; M. Anitchkoff plays cards with Walitsky; Khalkionoff and Paul follow the players. The room is full, one feels comfortable, one talks, there is company, and I am happy. I am very happy -- this is how one should live. Once or twice my aunt tried to restart the scenes, but I remain mute and we fall back into tranquillity. M. and Mme Anitchkoff are petrified at the sight of my forehead; Monsieur even enquired after my health, whether I had lost my reason. Madame honours me with the title of beauty! I rid myself of the children tolerably well, and all goes well. M. Anitchkoff says I have made a conquest -- complete victory.
It is that rat Zibine they speak of. What! He dares talk about me to Zibine, that old rat! Can one not make these bogeymen believe that I am fourteen! And such an ugly one at that! To this I answered coolly: True, I don't know who it could be.
(((Ah! If the Duke found me pretty, then I should believe what the others tell me!))) But there is Gioia! No! She no longer exists! He is free to marry.
[In the margin: Indeed he was already free when I wrote this -- free and about to marry.]

Notes

In English in the original.
In English in the original.