Friday, 30 May 1884

Mme Zarondsky is an odd little woman. Her husband is a senator, as you know, and furthermore prides himself on being a scholar, a man of letters, a superior being — he has translated the Russian masterpieces into foreign languages and wore mourning for Gambetta. Mme Zarondsky is a tiny little creature who must have been pretty; she has seven children, the eldest twenty-two, and a tic in the right eye. A woman of letters also. On her first visit to Paris she went to the Odéon to see Severo Torelli, a drama by François Coppée. Thoroughly enraptured, she went to ask the theatre's concierge for the author's address so as to express her admiration. That is something one does not see in France — genuine, naïve enthusiasm that does not fear ridicule.
So she writes to Coppée, obtains an audience, writes to him from Rome, brings him a painting — a copy of a Madonna. The poet thanks her for the painting, expressing his regret that he cannot thank her in person, not being free.
She is old but that is beside the point — it is not very kind. Mme Zarondsky is undeterred and does not consider that she may be importuning this rhymster — and in any case... I am therefore charged the day before yesterday with composing a telegram to Coppée.
Dear Sir,
I remain until Saturday, being compelled to do so by four enthusiastic young ladies who have made me swear that I shall introduce them to François Coppée. However accustomed you may be to triumphs, you cannot disdain this one, which has youth and genuine admiration on its side. Tell us therefore when we may expect you.
Zoé Zarondsky.
Yesterday, his card arrived — François Coppée of the Académie Française, who will have the honour of calling on Mme Zarondsky on Friday between half past one and two at the latest. And at two o'clock he was there. Maman, Mme Zarondsky, the Misses Staritsky (Zoé's nieces), Dina, and myself.
He has never found himself at such a celebration and must have felt like Victor Hugo. You know, for my part I am very unmoved by Coppée's verse — but I was swept up among the four enthusiastic young ladies, though he must have seen that I am not quite as simple as the others appeared. The Canroberts dined at Princess Mathilde's with him, and he spoke with Claire — I mention it to him.
He settles into an armchair, takes tea, and smokes. The tea-table is brought in fully laid, just as in the theatre, and there is a moment when all six of us are watching him drink his tea!
This great poet remarks on it, and carries his kindness so far as to ask to see my studio, and to tell me on leaving to let him know whenever I have a new painting to show. He is a quite agreeable man, but of an appearance that surprises one a little. A vague resemblance to Napoleon — bad teeth — and the air of a priest.
But I am pleased to know him all the same. He has blue eyes and kept looking at me as he spoke, as though trying to discover what I think. On the whole he must have been very ill at ease, this Parisian, in the midst of all this earnest admiration. I did try to be... But these ladies were quite carried away.
[Written across: Coppée is younger than Tony and looks much older.] He gone, Tony arrives. He is an extraordinary man — nearly forty-six, and today in a grey suit in broad daylight I give him thirty-five, and I am being generous. Well then — here is a fellow, son of a great artist (Medal of Honour) — one may not like his paintings, but officially he is a great artist — and an artist himself, handsome as the day, well bred, sufficiently witty... Everything is combined, it seems to me, for him to have been able to reap the most exalted loves.
Well — he has only petty little affairs with petty little models who could not care less. It is truly astonishing. There are curious things in life. Not that I personally find him so adorable as all that — but from a general point of view he is a very handsome fellow, and even I, if I wanted to or could... amuse myself like so many other ladies, would not find Tony disagreeable. Only, I have ideas that... and I prefer the small and plain Bastien-Lepage, or the fat Zola whom I have never seen.
Yet I think I am very foolish not to occupy myself seriously with the one thing that is worth while. The one thing that gives all happiness; that makes one forget all wretchedness.
Love. Yes, love, naturally. Two beings who love each other have the illusion of each other's absolute perfection — moral and physical. Moral above all. A being who loves you is just, kind, loyal, generous, and ready to perform heroic actions with simplicity.
Two beings who love each other have the illusion of an admirable and perfect universe, such as philosophers like Aristotle — and myself — have dreamed of. And that, I believe, is the great attraction of love. In kinship, in friendship, in society — everywhere — one discovers the tips of human ugliness's ears: here a flash of cupidity, there of foolishness, there of envy, baseness, injustice, infamy. [Words blacked out: And then the friend] the best has his hidden thoughts, and as Maupassant says, man is always alone, because it is impossible for him to penetrate the intimate thoughts of the best friend who sits opposite him and looks at him and makes his sincere confidences.
Well then, love accomplishes the miracle of the mingling of souls... One deludes oneself... what does it matter — what one believes to exist, exists! I tell you this myself. Love makes the world appear as it ought to be, were I God.
Well then?
This evening we go to the Marquise de Castrone's — another curiosity of Paris.
Mme Marchesi — in her artistic faith — is a very famous singing teacher who has trained celebrated pupils. It turns out that this lady is married to a Neapolitan marquis, de Castrone de la Rojota.
Furthermore she is a cousin of Baron Haussmann. Furthermore Saint-Amand celebrates her in the newspapers. It makes for a rather interesting salon where one hears admirable music. Her daughter is charming — she came the other day, you remember, with Mme Pernetti (née Haussmann).
So we go this evening. There are Mme Krauss, Diaz de Soria, Nevada, the Vicomtesse de Tredern, Princess Jeanne, the Jides, Randouin, and so forth.
Mme de Tredern is a great lady about whom there has been a tremendous amount of publicity this winter as an aristocratic singer.
She is pretty, resembles a plump quail, is immensely rich, and sings reasonably well.
On the whole one of the rare acceptable talents to emerge from society.
I am in black and musing on the philosophy of love, and on the love of philosophers. The foundations of things; and all these people around me have real preoccupations, immediate interests, while I swim in abstractions...