Thursday, 22 November 1883

L’Illustration universelle (of Russia) publishes on its first page a drawing of my painting.
It is the largest Russian illustrated journal, and here I am, quite at home there.
It was Maman who, being in St. Petersburg, went to bring the photograph to the director of the magazine; he asked for a week to make enquiries, and at the end of a week wrote that he accepted with pleasure. There is scarcely a halfway intelligent corner that this journal does not reach.
And it gives me no joy! Why? It is agreeable to me — but it is not joy. Why?
Because it is not enough for my ambition?
In any case... If I had received an honourable mention two years ago I should have fainted.
If last year they had given me a medal I should have wept into Julian’s waistcoat. But now...
Events follow a logic — alas! Everything links and follows in sequence; everything is prepared little by little. A third-class Salon medal next year will seem natural to me; if I receive nothing, I shall be outraged.
One feels a truly keen joy only when an event is unexpected — when it is in some sense a surprise. A second-class medal at the next Salon would make me very happy, precisely because I do not count on it.
(If certain of my explanatory additions seem to you unnecessary, forgive me — fools are in the majority, as are the half-fools, and I should like to be understood.)
And then it is not the medal that counts — it is the greater or lesser success that accompanies it.
I went to the Salon this morning; there was no one there.
It would be impossible to see a more abandoned Exposition — one can scarcely say it has been visited even during the first three weeks. This morning there was: myself, Rosalie, two ladies, three gentlemen, and the attendants.
I naturally looked again at the Bastien-Lepages. I will concede Haymaking if you wish, but October — commonly known as The Potatoes — is a masterpiece. And yet I am less gripped by it; might that be a sign that I am growing stronger?... For if I could ever surpass equal that great painter, he would no longer matter.

Notes

L’Illustration universelle (Vsemirnaya Illyustratsiya): major Russian illustrated weekly, published in St. Petersburg from 1869. ↩
Bastien-Lepage’s Haymaking (1877), one of his celebrated paintings of French peasant life; shown at the Salon of 1878 and now in the Musée d’Orsay, Paris. ↩
Saison d’octobre: Récolte des pommes de terre (now usually October or Potato Gatherers): Bastien-Lepage’s painting of 1878, shown at the Salon of 1879; now in the National Gallery of Victoria, Melbourne (Wikipedia, «October (painting)»; NGV). ↩
In Latin in the original: vulgo. ↩