Tuesday, 18 July 1882

The head of Irma finished. Émile Bastien comes in the middle of the sitting, which is then suspended for tea and conversation in the garden.
Towards seven o'clock Tony and Julian arrive. Great compliments for the head — it is rich, it is supple, the tone is fine, it is very good. At last you have escaped from dryness. It is restful, adds Julian... It is like giving five hundred francs to a poor man.
Only there is a storm during dinner. Dina continually fills plates and glasses and torments Julian with: you are eating nothing, you are not drinking. In the end poor Julian is quite tipsy.
Fortunately everything passed off well; fortunately he remained perfectly proper, but a word might have escaped him and then... How many times have I said that this tasteless pressing — like a peasant trying to get a crony drunk — is not hospitality; it is improper, ridiculous...
What can one say — this girl has a ravishing colouring, wonderful hair, an interesting type, and she is good-natured... But when she tries to be graceful there is something lascivious about her that makes my flesh creep, and then that lack of moderation in everything!... Tony did not lose his composure, or at least he appeared as usual. Nevertheless I waited until midnight to show him the sketches for my picture.
The impression is very good. It is deeply felt, he says. Only I ought to change the attitude of the woman in the second plane, and what he advises is theatrical and academic. Besides, in such things one cannot listen to anyone. What I am asking for is counsel on the execution, which presents the greatest difficulties. To capture the evening effect and work in the open air on this immense canvas: 3 metres 27 high by 2 metres 50 wide.
I am vexed at having had to discuss it after dinner — it may detract from the value of the good things said; yet no — Tony is exceedingly conscientious.
This old rogue has just spent three days at Fontainebleau with Reine — I know it through Irma. It seems he becomes attached to these little hussies like an old man.
The picture will doubtless have to be done in Algeria, for in Jerusalem there would be no facilities for setting up. It seems it could be gripping, very beautiful to paint... But Tony has his Tony-ish ideas.
To make separate studies of each element and then copy it all onto the large canvas. But it would not hold together! Nothing equals the direct impression from nature. But it would be false.