Thursday, 7 July 1881

The father-in-law has left; his other daughter has stayed. Nini implored the old scoundrel to give her five hundred roubles to be able to escort me back and spend a few days in Paris. But nothing.
And even if he were poor, there might be some excuse.
My own father — in addition to money he already owed me — has just given me the three hundred and fifty francs he promised for settling the colourman's bill. He had also promised to pay for the paints I was to bring here, but on that hundred francs I can count no more.
But I was to leave this evening — only Maman can only go as far as the border, and there one must wait twenty-four hours for my aunt... And it looks so suspicious, these journeys cut in two. And then I am so unhappy with my family.
In short, Maman drives me to distraction with a soft passivity that is a kind of wearing resistance. The gentleman has a fever and I say nothing to him, confining myself to expressing my displeasure aloud. Now Nini is dying to travel, and it would give Paul immense pleasure — so I resolve to make two people happy and brighten my journey. I tell Maman as much, with a flood of reproaches about her slowness, her negligence, and the lies with which she thinks to calm me — which I always see through in the end, since they are mostly just a way of buying time, and they provoke fits of indignation that these good souls hope to counterbalance with syrupy remedies.
Ah! Holy Madonna. I no longer quite know what was being said
exactly — only Maman said that I am not obliged to live with a family that upsets me so.
— And how is one to manage?
— But Breslau lives alone, after all...
Had there been insolence, mockery, or malice in that remark it would be nothing — [words blacked out: it was said] half from nonchalance, half from a kind of conviction born of weariness with these scenes and the real distress they cause her. I already had jaw pain and a strangled throat from holding myself back, and I began to shout at her to leave or I should do something dreadful. She went out very slowly, gently — but I was so exasperated that, locking myself in, I overturned a piece of furniture and threw myself on my knees, calling on divine mercy and dissolving in tears. But I am not worthy of heaven's pity — I feel clearly that I am not a pitiable sufferer and have no right to importune God. I have broken a mirror — after the last one I broke in Paris — I have gone deaf, and now...
One can be superstitious and still a believer. Besides, misfortune does not come because of a broken mirror — rather the mirror breaks as a warning... of what?
I can only pray to God. I feel, I know that I deserve nothing — and I swear to you on my soul that I am sincere — but how is one to prevent oneself from asking... mercy, even when one does not deserve it.
Just now I have come back from the garden pavilion where I spent some time holding forth against my father's avarice and impudence. The night was so beautiful, the moon so cool and pale, that instead of going straight to the pavilion I walked about sighing and asking myself what was the use of all these worries.
Is it not the same thing to stay here... God will rescue me here as well as anywhere else, if he chooses to come to my aid. Besides, the weather is fine — all these are decent souls, the servants and the peasants, everyone — and the two great houses facing each other like a pair of simpletons. Well, why go... To find a doctor who will cure me, some waters? I no longer believe in that. I believe only in God to heal me... I crept gently up to the open window, [words blacked out: and, hiding] behind an enormous poplar, I listened — but at five paces I could hear nothing of a conversation conducted in an ordinary voice. I should be lost a hundred times over if Maman did not extricate me by more or less ingenious means. But alone... this evening I assured myself all too clearly that I am ill... In short, if all it required were... or rather no, it is not... faith — it is
a desperate desire to be cured — that God have mercy on me.
Nini, her sister, and Dina came to accompany me back to my room, and we talked of sinister things apropos of broken mirrors. And the three candles — I have had them two or three times here. Well — am I going to die? There are moments when the idea chills me, but when I believe in God I am less afraid, though... I do want to live. Or else I shall go blind. It would amount to the same thing, for I should kill myself... But what does one find over there? No matter — one spares oneself known sufferings in any case. Or perhaps I shall go completely deaf. I force myself to write that word which scraped against my pen... My God — it is not pity; I do not deserve pity; I am unworthy — and let me die this instant if I say so out of hypocrisy — I am unworthy of everything, but You are God. But I cannot even pray as in other times; one cannot — I cannot, at least — ask for something unjust; [words blacked out: it is] unjust to ask for indulgence for myself. If it is the death of someone close... my father, that would not be a great loss — but Maman. I should never console myself for having said a single word out of place to her. You might want to ask whether I should prefer that death to deafness... I could not say, nor decide, even in the most fleeting instant.
What no doubt tells against me with God is that I take account of the slightest movements of my soul and cannot help thinking that such a thought may be counted against me, and such another in my favour — but the moment I recognise that something is good, there is no merit in it, and all is lost. If I have some generous or good or Christian impulse, I perceive it immediately; consequently, despite myself, I feel satisfaction in anticipation of what it ought, I think, to bring me — and in those conditions, the merit vanishes. And just now I had the idea of going down and throwing myself in Maman's arms, humiliating myself — and naturally the thought that followed was to my advantage, and all was lost. Then I felt that it would not cost me too much to act so, and that despite myself I should do it in rather an offhand or childish way — for a true, serious, dramatic outpouring between us is impossible; I have only ever been seen as furious or joking, and it would not be possible.
They would take me for a madwoman, or for one playing a part.

Notes

Colourman: a merchant specialising in artists' paints and materials — a significant expense for a working painter.
"The gentleman" — ironic formal Monsieur for her father, suggesting his performance of dignity.
"Holy Madonna" — Marie uses this Italian-inflected invocation (Sainte Madone) as an exclamation of distress.
Louise Breslau (1856–1927): Swiss-born painter and fellow student at the Julian Academy in Paris, who famously lived independently. Maman has apparently suggested Marie might do the same.
Three candles burning simultaneously: a Russian superstition foretelling death. Marie has apparently found herself in rooms with three candles alight on two or three occasions.