Wednesday, 27 October 1880

Berthe dined with us yesterday. Her elder sister bores her, it seems. Besides, she always has something to tell. I do not go to her house and invite her only coolly: "see you soon, won't we? Never more than that." She is content with it. We have never been close, but to have known each other for ten years and not to have a physical aversion to one another — that creates a sort of friendship which is not one. Besides, I am neutral: she comes, it is well; she does not come, it is still well.
This evening Gavini takes us to the Francais, to the Casa Riera box, which is a ground-floor box hung with red damask. I would have been very well there if I heard better... Papa Gery was with us. Gabriel has been transferred from Rome to Berlin; in short, it is possible he will stay a year at the ministry. Gambetta was in a box like ours, across from us, with Arnaud and another. He came to see his friend Coquelin play the role of Moliere in L'Impromptu de Versailles. You know, a few days ago they celebrated the bicentenary of the Comedie, and they played L'Impromptu and Le Bourgeois Gentilhomme with the music of the period, etc.
This Impromptu... news from two centuries ago. One must renounce all idea of knowing Gambetta and doing his portrait, surrounded as he is by Hecht and Arnaud... and then, and then my ears are my only preoccupation... I am sorely tried, I assure you... And what a horrible thing!
What is surprising is that I was preoccupied with Audiffret in 1873 already, at fourteen, after Boreel and Hamilton. I find this while leafing through my old notebooks. How ridiculous it is, and above all absurd! I must truly be well above what I was not to burn those pages; if I were only a little above, I would burn everything in a fury.

Notes

A baignoire (literally "bathtub") is a ground-floor theater box, so called from its shape.