Friday, 25 May 1877

I have nothing to say except... I don't know what.
We had a wonderful time at the Skating rink, where I at last skated without any assistance. I am angry with myself for these ridiculous fears, and I shall never forget Alexandre's remark on the road to Massa. Dina, he, and Marcuard had just finished a furious gallop while I, irritated by an ugly, badly-fastened hat, by a dress too wide, and above all by the thought that I was at my very worst advantage, had fallen behind, suffering as one only suffers over such miseries. There is nothing more wretched than a donkey when one is not in the best of humour — I felt as if tied to a post of shame.
"Mademoiselle Dina," said Larderei, "has quite the right manner on horseback — she sits admirably."
To hear this said of Dina, who cannot ride, while I am in the saddle as if in my bed — and to hear praises of her thick waist, excessively laced into a prodigious corset that pushed up her bust, barely restrained her stomach, and gave her the back of a mannequin. She has a pretty waist, certainly, compared to many others; as for myself, I should not boast of excelling among plain women, but I do boast of having a waist such that Dina's counts for nothing beside mine. I am never tightly laced, always supple and pliant while retaining a certain rigidity that becomes youth well: extremely slender at the waist, with extravagant hips, a Venus's figure, rounded shoulders — all of it without constraint, without eccentric whalebone stays, without tightness... of heart or elsewhere... That I am not exaggerating foolishly you may verify by asking those who saw me at the Villa Borghese, where I had a fine horse, a riding habit that "dressed me without changing me" (as I have said), and a hat that stayed on. Prince Umberto, who is a connoisseur, could not help turning abruptly and looking with both his large eyes with such... approval that one might have thought him some Antonelli or other. I was that day entirely pleased with myself — no fear, no anxiety robbed me of the grace of a woman satisfied and at ease. It happened to me so rarely — but I have grown wiser since Larderei. I have learned that one must under no circumstances and for nothing in the world neglect oneself.
But I am wandering — I was speaking of Massa. You understand, then, everything I felt at this injustice... or rather this truth, for I was not myself. But that would still have been nothing; the hurt I shall always remember came when Alexandre approached me, half astonished, half disillusioned:
"Well, Mademoiselle," he said to me frankly — "frankly, I thought you braver... I thought you braver," he added again with an air of polite compassion. And I was nailed to my ignoble mount and my hideous hat was sliding over my head...
That is the kind of worry and grief that Alexandre leaves me... and they make me furious every time I think of them.
After a certain time one sees resurface events that had passed unnoticed — just as one appreciates a painting better from a distance. The Aquarium rendezvous will not leave my head — not that I regret it; I was carried away... and if it were to do over I would do it again. I was not ashamed; I went straight to the point; I am too impatient to love zigzags. But it was that... small event which changed everything. He had certainly been turned against me — but being turned against someone and finding oneself obliged to... reassure them... is quite a different thing.
My eye fell upon a trial in which a gentleman slapped the mother who was trying at all costs to press him on behalf of her daughter who had written to him — and, as he did not come to her assignations, she pursued him all the way to a railway station... This sordidness, this infamy turned my stomach and made me so ashamed that I fled quickly, seeing that Maman, who was reading the newspaper, felt exactly as I did!
You have seen in my long explanatory letter what I was burning to tell him; in the same way you will learn what torments me if the means of explaining myself to him should one day present itself.
A great deal of moderation, of gentleness... you shall see.
But I was thinking of none of this when I took up my pen. I had been laughing like a madwoman with Marie Leontievna.
By the way! You know — well, alas, I must lose my illusions: that girl has a motive — touching, pure, hidden... but a personal one: she is in love with Walitsky.
It is so funny I can scarcely believe my ears. The girl confessed it to Maman. I don't know what made me laugh, but everyone had such a fit of hilarity that I came away with a headache. Marie Leontievna, who is calm as the full moon, was doubled over; I tried to throw her into the garden from the balcony, but then I remembered that Alexandre had been dead these three days and I began to recount how my idol had croaked. I was going to say that the moonlight is enchanting and that I serenaded him, and that in great Paris I shall no longer have this calm, this poetry, these divine pleasures of nature and sky.
You know what I have imagined: Alexandre will die and Gaston's wife will die and I shall marry Gaston. Well?

Notes

Crown Prince Umberto of Italy, future King Umberto I (r. 1878–1900).
Avait crevé: literally "had burst" — a crude slang term for dying. Marie uses it here theatrically, since Alexandre is not actually dead.