Tuesday, 1 August 1876

Let God give me a life like that of other women, and I shall be at peace.
With my ambition, I lack not only those greatnesses that pursue me, but even what every young lady or society woman possesses — a life of one's own. A dreadful life — a life of humiliations, of anxieties...
Holy Mary, pray for me.
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I want to write a novel of chivalry. For the one I had begun has been thrown to the bottom of the white box. I am still in the blessed inn of Eydkühnen, waiting for my very honoured uncle.
Towards half past eight, weary of being shut in, I went myself to watch the arrival of the train, and as I was told I had a few minutes in hand, I went for a walk with Amalia.
Eydkühnen possesses a charming avenue, well paved and shaded, lined on the right with neat little houses very tidy indeed — there are even two sorts of cafés and a kind of restaurant. The whistle of the locomotive surprised me in the middle of this walk, and despite my small feet and high heels I began to run across kitchen gardens, heaps of stones, and rails, to arrive in time — and in vain.
What does my handsome uncle think?
In the beneficent solitude of this "charming village" and its surroundings — almost as flat as Hélène Howard's figure — I am led gradually to a heap of reflections on... on love. Here we are. Of course!... on Antonelli — good Lord!... on the Duke of Hamilton. Oh! Oh!
The Duke — the shadow — is to me what Laura was to Petrarch...
Pietro was to me what Cynthia was [to Propertius].
But I discover here at Eydkühnen what I did not know — namely, that my journal does not explain me. To read me, one would think I take everything to heart; in reality there is only one thing that touches me — our position, my position. Besides, remember my profession of faith underlined three times, and think of it always in connection with each of my words, each of my thoughts, each of my actions.
I... I should like to have a good horse to gallop across this beautiful plain — one could ride to the ends of the earth, it seems.

Notes

Petrarch (Francesco Petrarca, 1304–1374), Italian poet; Laura was his unattainable beloved, the subject of the Canzoniere. Marie invokes the tradition of idealized, unrequited devotion.
Cynthia was the pseudonym of Hostia, the mistress of the Latin elegist Propertius (c. 50–15 BC), who devoted his Elegies to her — a passion presented as consuming but demeaning. Marie's comparison places Pietro in the lesser, earthly category of love.