It is two o'clock; I cannot find my place... come, since I say everything, do not be indignant. For a moment I thought that... well, I stop myself. You understand all the same. So I believed it — but for only a moment — for... for it is not *a...* Antonelli I desire, but Antonelli himself.

It is two o'clock; I cannot find my place... come, since I say everything, do not be indignant. For a moment I thought that... well, I stop myself. You understand all the same. So I believed it — but for only a moment — for... for it is not a... Antonelli I desire, but Antonelli himself.
Why this disgrace again! Why was it never like this before? Can this by chance be what is called love?
I have believed myself in love — but I could do without the one I thought I loved; I missed him a little, was bored a little. That is all. Let us always except the Duke, who by his rank and his fortune is nearly the equal of a king — let us except him. He is above all this.
I think, and I do not know how to write what I think.
No — listen: could this be true love? It would be very ill-placed, then. One does not place it where one wishes.
Look — I am not mistress of myself; I am no longer thinking, I...
It was never like this before! I think of him, I want to see him... I am no longer alive. Oh! It is very strange — very strange.
My God, bring light to my mind.
Oh! Peccato — I think that... that I love him. No, no, no! Ah — wait, for it is a serious thing to say... And why have I said it so often without caring as much as I do tonight?... Because tonight it is something else... Ten times I tell myself I am dreaming, and ten times this unknown power invades me and I am forced to admit that it is not as before — that it is strange.
At this very moment I cry no — and in a moment I shall cry yes.
For three days now I have been seeing, as if in my mirror, all the circumstances of my acquaintance with this young man.
I... I know only that it is entirely new. And so I do not wish to declare such a thing point-blank. I say nothing as yet, but... it is very extraordinary.
[annotation]
Hardly have I written this than I am ready to cry out that it is not true!
All these things I found strange seemed so only because it was the first or second time. Now I am accustomed to this nonsense.
I cannot explain this state — they say that when one begins to truly love, it is like this... One feels entirely new... Ah! I take three-quarters of an hour to write a single page.
Oh! It is truly...... strange.
---
I am writing for yesterday. Yesterday was a great day for M. Chocolat [words crossed out] — he made his First Communion. He received fifty francs and a self-winding watch with a chain. Chocolat walks about with his jacket unbuttoned, casting looks of triumph at Triphon, for Triphon is a grown man and has no watch, having sold his own to gamble. Ambroise, Félix, Marie, Anne, Triphon [words crossed out], and the cook are all envious; Amélie has not yet reached that stage, and Chocolat triumphs. Chocolat is a happy man. I am attaching him permanently to my person.
We went out to see the processions; in the Saint-Étienne procession was Chocolat, carrying the biggest candle possible. We see Hasford at the band, and I come home tired. Not even Galula!
I was tired and sad, just preparing to eat strawberries and cream, when Count Laurenti was announced. I had no time to say no — he was already entering; I was worse than undressed, my hair completely loose. I opened the window and jumped into the garden. He saw nothing but two feet and the end of a white train.
I ran to put on my Olympe gown, which is even prettier without a corset; as for the coiffure it is always the same — hair rolled about the head and two large naturally curling locks in front, like the Capitoline Venus.
We spoke of Saetone. They made me sing.
At midnight I went up, and Dina came to supper with me while Amalia told stories. This girl declares that there are no men in the world who love with as much constancy, idolatry, and respect as the Romans.
You will readily agree that I found this of the highest interest. Besides, once alone I went first to lock the doors, then to open my chest of drawers and take out the portrait.
It grows stranger and stranger — I cannot tear myself from it; those eyes so gentle and so deep drew me irresistibly, and I ended by pressing upon this image lips that were loving and trembling, with so much love and passion that never, never did I dare kiss him thus in life — I was afraid; perhaps that is why he did not understand what I felt. The portrait seemed to come alive. I gazed at it tilted back in my armchair, exalted, intoxicated, in love... Then I closed my eyes to pass into another life — I knew well I could not write a single word. Two o'clock striking from the tower woke me from this ecstasy.
[annotation]
My good friends, learn once and for all that when one truly loves, one does not vary according to the temperature, the hour, or the mood.
What use then is willpower, is sympathy, if I cannot draw him towards me! Is it possible he has forgotten me? How — it was he who loved, and it is he who forgets, who abandons! Oh — but if he loved, he had only to write. Oh! He has deceived me all along! And, mad with anger, uncertainty, and love, I threw myself on my knees before my bed, invoking God, rosary in hand: I shall prostrate myself sixty times as in Rome — I shall pray... But at the fifth time I stopped short: what am I asking of God? That He give Antonelli back to me? Why? Do I love him enough to sacrifice my future vanities for him? No, but... No, one must answer truthfully. Do I love him — or love him enough to be his wife and renounce my plans? No. Then why? For amusement? To satisfy a whim? I may desire him ardently — but I must not ask this of God. God would punish me. But my self-esteem? No matter; from that moment I could no longer pray. I had the Gospel before my eyes: it will be given to you according to your faith. Yes, God would give it because I believed — but it was I who did not dare to ask. I felt myself unjust, and at the same time I suffered — but I could no longer pray; and, stretched out on the carpet, I found myself in a state of moral and physical stupefaction that broke me horribly, that annihilated me.
I went to bed after gazing long at the tempting portrait.
I dreamed of him all night. Before, it was only in the evenings; today it has been since morning — I sat in the dining room and saw through the walls and the wood of the chest of drawers the portrait lying in its drawer.
Why occupy myself with this? Why speak of love? Why not live quietly? Oh — but I cannot; I am no longer living; I can do nothing. Oh! Misery of miseries! I am annihilating myself here while he amuses himself over there!
He never loved me — it was nothing but... bestiality! Oh! And it is I who love him, it is I who humiliate myself in this way.
Is it true love, or imagination? The solitude, the boredom, the memory of his burning words... it is no doubt that. Besides, I deny love as a serious feeling — one that prevents all thought, all action, absorbs every faculty, dulls every pleasure. I submit to its influence because I am alone, bored, sad. Oh! If this continues during the journey and in Russia, I may begin to believe in it — but like this... No, it is shameful and..., besides, it simply is not so.
What a possibility — that I should come to love precisely the one who loved me, whom I only suffered over... And what if I have loved him from the very first moment? I did not feel it because he never tormented me — he gave in at once... That is why I was not aware of it.
So that is love? No, I do not know — it is only an idea, an inflamed imagination. We shall see, we shall see. I would admit it if he had given me time to desire him — but no, he declared himself at once. So that even if I love him now, I am not certain of it, for there is pique, anxiety, self-esteem, anger.
I understand nothing of what I write. I am not myself. I must leave.
Oh! I do not believe myself. I have been so often mistaken — Audiffret, Torlonia, who knows what else? I fear deceiving myself again. Besides, who presses me to admit anything?
And admit what? Nonsense, nonsense — it is as always, as before. And yet, I have never felt anything like this... A fine matter, I have not even had time — I am only seventeen. No... besides, I understand nothing of what I write, and the pen writes so badly it is a torment.
"Amor otiosae causa sollicitudinis," says Publius Syrus — that is, love is a cause of idle anxiety. I would prefer to translate it thus: love is an anxiety caused by idleness.
Syrus says much that is absurd, but here is something true: "Amans ita ut fax agitando ardescit magis." The lover is like a torch — the more one stirs it, the more it burns.
This morning I took all of Maman's suitable jewels and adorned myself with them. Diamonds, pearls, emeralds, Samazes necklaces from Siberia, coral, lapis lazuli, heavy gold chains. I transported all of this to my room and spent the time until dinner trying on dresses and draping myself fantastically in gold-lamé fabrics I had bought at Ben Sadoum's — so that the General came and I did not go down to receive him.
Collignon is a strange person. Would you believe she has now taken it into her head to sulk with everyone!
Olga writes me a letter full of Bibis. I shall not answer her.
Foster writes as well.
Only Antonelli does not write. Besides, I hope I am no longer waiting for a letter from him.
So it is like that? So it is finished? So that is what love is worth? So there I am — deceived... and compromised.
No position in society, nor any possibility of making one!
It is two o'clock; I am awake, and why? To look at the portrait.
Besides — look: who forces me to think of all this nonsense? Let us live quietly and think of Russia.
So — I must be silent and forget Antonelli! Not the man, but the adventure. Let us live without thinking of... of love. Then why, from morning on, think of nothing but the evening when one is alone and free to look at that Italian face and dream!
No — enough. Let us think of nothing; let us not go to meet... the devil. If he comes, let us submit to him if we cannot chase him away — but for God's sake, let us not go to meet him.
Very well. But I have grown so accustomed to always having a devil in my head that I cannot rid myself of it.
Ah — listen: you think it so easy to swallow affronts like that one. Very well, it is an affront — but that is no reason to invent oneself a love affair... It is idleness, what can one expect? Fie! Shame! Idleness!
But in truth, what do you expect a girl of my age to think about? About living as I love to live. Yes, that is the main thing — but one cannot... one also thinks of what amuses; well, love amuses me, and I think of it — too bad!
And I am despised! And no one loves me!
Going into society — that is the main thing. When I am like everyone else, no one will dare to insult me. Yes, that is in general — but in particular there is Antonelli.
Ah! God! Let me know the truth!
Now I am imagining that he is shut away. What wonder. Has he not told how, since leaving the seminary, he has always been followed by two of his father's agents?
But why would they shut him away? Because they do not wish him to love me? Because his brothers do not want the youngest, by marrying, to monopolise the favour of the father and the Cardinal?
Who knows?
For after all, it is not possible that he always lied? He would have said nothing to his parents, and they would consequently have taken no steps. I am saying this for the hundredth time already.
O mystery — for I persist in seeing a mystery in all of this.
Then can I not believe that, the replies from Nice not being satisfactory, those confounded priests forbade him to love me — and he obeyed?
And yet it is the most likely explanation. Then what is this love — and what is this man?
He thought to free himself from his family's yoke through marriage — yes, he told me so.
Oh! How impatient I am to leave, to shake myself, to have done with this wretched existence. Est eo deterius mori, vita inglori — always Publius Syrus. Oh. Yes, it is true. A life unknown, without brilliance and without merit, is worse than death.
And it is this life that gives me stupid thoughts. To love — that is very well. But to love those who do not love you and do ugly things to you! To love a man I did not love when he loved me, and to love him when he treats me thus!
And yet — who knows? — perhaps I have loved him all along.
Useless dissertations — a waste of time, ink, and paper.

Notes

Peccato: Italian — "What a pity!" or "What a shame!" Marie code-switches into Italian, which she associates with Pietro and Rome.
Chocolat, Triphon, Ambroise, Amélie etc. are members of the household staff. "Chocolat" is a nickname, presumably a dark-skinned young servant. Marie's tone is affectionate and proprietorial.
The Capitoline Venus, a marble statue in the Capitoline Museums, Rome — known for her flowing hair. Marie's self-comparison to the goddess reflects her Roman obsession.
A loose paraphrase of Matthew 9:29: "According to your faith be it done to you."
Publius Syrus, 1st-century BC Latin writer of moral maxims. Marie cites him frequently in these weeks.
Marie's manuscript is garbled here; the correct Publius Syrus maxim is approximately: "Est deterius mori quam vita ignari." "It is worse to die in obscurity than not at all." — a life without glory is worse than death.