Tuesday, 16 May 1876

At noon I still didn't want to get up. I am only happy when I am asleep; to wake is to see my wretched condition and to torment myself, for Pietro* is no longer enough to make me forget it. As long as he is there it is bearable still, but no — he is unhappy too; just picture the two of us, two miseries together!
Luisetta spoke again of San Zucchini and Katorbinsky asked for news of the monk and in which convent he was confined; when I told him it was at Santi Giovanni e Paolo he exclaimed that he knew it very well and gave me the exact details of the place, so that at the Pincio I repeated them to Pietro, who was quite astonished.
The weather is fine, I am miserable, I want to go into society. I fear people will take this desire for something trivial, for a wish to dance. If you knew what I suffer, you would pity me. When I talk, when I laugh, when I sing, it is to daze myself, to forget. I read Dumas and smoke twenty cigarettes one after another, then drag myself up in a stupor, dulled and numb — and then I do not suffer. But this works only before the walk; after dinner I smoke no more so as not to smell of tobacco, and I wash with soap. What touching details!
Ah! I should like to see you in my place... No, no, I am not fierce enough to wish so many tears upon anyone. The thought of our wretched position does not leave me for an instant, and ten times today at the Pincio, while talking with Simonetti or with Pietro, and all the while laughing, I felt on the verge of weeping with every tear I had.
Pietro showed me my photograph painted on glass by his brother Paul — that insect I should like to crush.
The Greek minister called but did not find us in, as usual.
My aunt does not understand my torment; she thinks that everyone is in love with me and that a few gentlemen are society enough. What is the use of being pretty, educated, in good health — when one sees no one! And people notice me and stare and wonder why we go nowhere, and they seek the key to the riddle and speculate and gossip!
God, it is driving me mad. Mercy.
There is no way to exchange two words in private! My aunt and Potechine left us quite at liberty — but it is not that.
A dream I had last night surely revealed to me that Antonelli had been deceiving me while I slept and dreamed. He is quite astonished when I tell him I know what he did upon leaving our house yesterday.
"To begin with," he says, "I left your house in a fury."
That I knew; he had begged me not to go to the concert, thinking that if my aunt went alone, we should remain together. I need not say that this was madness.
Yesterday then, on leaving our house he went to M. de Noailles's, and dressing that gentleman's kept woman as a man, they went off to roam the city and carouse.
My dream had revealed no details, but it had certainly told me there was a woman of that sort in the business.
It is truly curious — with Antonelli I talk of everything as freely as he might with some worldly old abbess of an aunt.
He tells me that they had already tried to shut him away in the Jesuit monastery at Monaco in 1871, but as he had no debts at the time he refused to submit, and Monsignor Curci did not get his hands on him to correct him and instil good principles in him, as he had already promised Count Louis he would.

Notes

"San Zucchini" is a joke name the party has given Pietro — zucchini being the Italian for courgette, mocking his monastic pretensions.
Santi Giovanni e Paolo: a basilica and Passionist convent on the Celian Hill, Rome. Pietro was apparently confined there.
La traviata (lit. "the strayed woman"): title of Verdi's 1853 opera, by 1876 in common use as slang for a kept woman or courtesan.
Cocotte: French slang for a kept woman or demi-mondaine.