Wednesday, 17 May 1876

I had much still to say about yesterday, but everything is eclipsed by this evening. I am still overcome, and trembling.
Until eleven we had Papparigopoulo and Simonetti; once they had gone, Potechine stayed so that Pietro* might remain a little longer. At once, without any show of it, we slipped out into the antechamber and from there onto the landing, which forms a perfect little oval salon. To recount this conversation is impossible. He took me in his arms ten times, by force. At last I explained to him all my scruples, all my doubts — everything.
As for what I said about the kiss, he laughed it off openly. But he continued to say he loved me, and so I assured him it was pointless, for my parents would never consent.
"They would be right," he said, pensive. "I am fit to make no one happy. I spoke of you to my mother, I said: she is so devout and good, and I believe in nothing and am nothing but a wretch! Look — I spent seventeen days in the convent, I prayed, I meditated, and I do not believe in God! Religion does not exist for me; I believe in nothing!"
I looked at him with wide, frightened eyes.
"One must believe," I said, laying my hands on his shoulders. "One must mend oneself; one must be good."
"It is impossible. And as I am, no one can love me — can they?"
"Hm!"
"I am very unhappy. You could never imagine my situation — in appearance I am on good terms with my family, but it is appearance only, and I detest them all! My father, my brothers, even my mother! I am unhappy, and if you asked me why, I do not know." "O the priests!" he suddenly cried, clenching his fist and his teeth and raising toward the sky a face hideous with hatred. "The priests! If you only knew what they are!!" It took him five minutes to grow calm.
"And yet I love you," he resumed, "you alone. When I am with you I am happy; if I could stay near you for several days together, I could love life… But no — I am weary of everything, I want nothing; I shall retire to that convent and spend my life there."
"That is the best thing you can do. But do you know, I have never seen such impertinence?"
"How so?"
"How so? You speak to me of love, you ask if I love you, and you say you will never marry! Wait — the situation is singular and exceptional. I wanted to be angry; I am laughing; later I may perhaps weep from humiliation — but for the moment it amuses me! You see, we cannot understand each other: you regard as nothing what I regard as a grave event. It is difficult to say — but since I am here…"
"Well?"
"It is difficult… Listen, I am going to teach you something you apparently do not know. The lips of a young woman are a sacred thing — and I have kissed you on the mouth!"
"When?"
"I told you that I loved you!"
"When?!"
"You know very well."
"Yes — one evening, in passing, by chance, after two hours of argument."
"No matter."
"It is true! I love you, I love you so!"
"Prove it!"
"Name it."
"Come to Nice."
"You drive me out of my mind when you say that! You know perfectly well I cannot!"
"Why not?"
"Because my father will not give me money; because my father will not let me go to Nice."
"I understand that — but if you told him why you were going…"
"He will not want it."
"You haven't spoken to him."
"No — but I have spoken to my mother, and she does not believe me. They are so accustomed to my misconduct that no one believes me any longer!"
"You must mend your ways. You must come to Nice."
That seems impossible. I was foolish and childish. And above all, above all, stupefied by those obsessions about going into society.
"But since I shall be refused, as you say…"
"I did not say refused by me."
"That would be too much," he said, looking at me very close. "That would be a dream."
"But a beautiful dream, is it not?"
"Oh yes!"
"Then you will ask your father…"
"He will not want it."
"Does he know me?"
"Yes — he does not want me to marry."
"Does he know?"
"No — I am saying that for such matters one must have the confessor speak on one's behalf; you know nothing of all this…"
"Then do it."
"You are telling me to?"
"Yes. You understand — I am not attached to you, but I wish to give this small satisfaction to my wounded pride."
"That is just like you!"
"Good God, yes."
"I told you again at the Campidoglio how I am — I spoke seriously. I am a wretch and an outcast in this world."
"I truly pity you."
"Thank you."
"You have nothing of your own?"
"Nothing."
"But you will have something one day?"
"Yes — at my father's death I shall have something like twelve thousand francs a year."
"But that is nothing!"
"Indeed, I know it."
"So your father is not rich?"
"He has perhaps seventy thousand francs a year."
"How I pity you, Monsieur — do you know that I shall have fifty thousand francs a year, and I consider myself poor! You are right; I would not take you — you are too poor. What a pity."
"I know I am a wretch, and… listen — if I ever make the folly of marrying, it will be with someone poorer than myself."
"What a fine pair of miseries we would make together!" I exclaimed — then, more softly: "I am no doubt wrong to have this fancy for you, but I have it. I would reform you and make you love life — would you like that."
"I am too great a wretch to find happiness in this world."
"What an idea. But I assure you, Monsieur, this conversation is extraordinary. I shall write it all in my journal."
"And what will you say of me?"
"I shall say that you are either the most unworthy scoundrel on earth — or a wretch!"
"Say wretch!"
"Yes — to flatter my self-esteem. You think all this is nothing, then. I tell you that I love you; I let you take me by the waist, kiss my hands, press my foot — and you think this very simple, very natural!!"
"But of course."
"Ah! Monsieur!"
It is impossible to follow even a little these hundreds of idle and extraordinary phrases. I shall only say that he told me yet again that he loved me and was unhappy, in a voice so gentle and with eyes so beseeching, that I myself drew closer and we talked as good friends for quite a long time, of a multitude of things. And I assured him that there was a God in heaven and happiness on earth, and I wanted him to believe in God and see him through my eyes, and to pray through my voice.
"Well then," I said, drawing back, "it is over — farewell. I was wrong to let things go this far; I should have seen what you are."
"I love you!"
"You love me and yet you… Ah! Listen — alone I would weep with rage and humiliation, but at this moment I can speak of all this, and even laugh."
"I love you and I do not want to make you unhappy — with me you would have neither happiness nor peace."
"You do not understand me, Monsieur. I refuse you in advance."
"But I do, I do! And I tell you I am unhappy!"
"And I believe you," I said, taking both his hands. "And I pity you."
"That is already a great deal to me, and I thank you."
"And so — farewell. I am leaving; I shall marry in Russia and come to see you in your convent."
"Yes — and then I shall court you."
"You see what you are! And yet — far from sending you away, I call you back; I have a weakness for you, and I confess it to my shame."
"Impossible!"
"But no — it is true."
"You love me?"
"Why, of course."
"You love me?" he repeated again, drawing me toward him and speaking so close that his lips, as they moved to form the words, brushed my cheek — my right cheek!
"And you?"
"Yes!"
"Ah!" I said, half laughing, half weeping, "and I am leaving — and in two days you will think of it no more!"
"Well — that is true! When I see you I love you like a madman, and when I do not see you, I forget!"
"Then you do not love."
"I do love!"
"It is not true love."
"It is the greatest of my life! Do you love me?"
"But yes!"
Strange thing — I felt neither fear nor shame.
"I do not love you," I said. "You are not worth the trouble!"
"You will never love me?"
"Yes — when you are free."
"When I am dead."
"I cannot now — for I pity and despise you. If someone told you not to love me, you would obey!"
"That is true."
"It is dreadful!"
"I love you," he said for the hundredth time, pressing me in his arms, and I let him, entirely transported and beside myself, leaning against his chest, not breathing, not saying a word, while his lips were pressed to my cheek.
I do not know how long it lasted — a long time, I believe, but never long enough. I could feel him trembling all over and dared not stir nor speak a word, for fear of breaking the spell. I was, I tell you, in ecstasy and happier than I had ever been — when this man, Jesus! Have mercy on me — drew me still closer, and I felt his hand slide along my dress in such a way that I recoiled as if struck by lightning. All the blood left my face; I must have been very pale, for he appeared frightened.
One ought not to forget that I was dealing with an Italian, indeed a Roman, and that men of that race stop at nothing — their lips as ready for kisses as their knife for a blow.
"Oh!" I cried, only after a moment, covering my face with my hands, overwhelmed with terror, shame, and rage, backing away to the window.
"I need some air too," he said, approaching.
"Oh!" I said again, my hands still over my face. "Oh!"
I was wild with shame and grief.
"Come now," he said, frightened. "Take your hands from your face. How pretty you are — no, at this moment you are quite ugly, you are all red," he said, in broken phrases.
I made a gesture to push him away without uncovering my face.
"Come," he said, more and more agitated. "Come — what is the matter? Why don't you answer? Oh, I beg you — one word! Marie, Marie — answer me, for pity's sake! Have pity on me!"
"My God," I murmured, running my hands through my hair and staring at the floor, still utterly bewildered.
"Away!" I cried, for he tried to take my hand. "Away!" I repeated, stepping back and looking at him with disgust, anger, grief, and astonishment.
"Forgive me! I am mad — it is not my fault; there are moments when one is not oneself. I love you; it is this love that drives me mad! Forgive me, forgive me!" he said, beside himself.
"No," I said quietly, not yet myself again. "No — enough." And I covered my face with my hands once more for a few moments, at the end of which he had recovered his composure and asked what was the matter, just as he had done the evening of the kiss on my forehead at the Valle.
I do not know what I said; and I returned to the salon with a calm face, saying in Russian that the monk had made me some very interesting confidences which I would tell Potechine and my aunt tomorrow. Then I laughed and spoke of the Lion, the Tiger, the Savage, and the Monk. Those are my names for Paul Antonelli, Torlonia, Dominique Antonelli, and Pietro*.
Pietro's nickname is easy to understand. Dominique the monk is a very small man, fat, deeply clerical, a great hunter like Nimrod, who never leaves his estate. As for Paul — he is the lion of the clerical drawing rooms, and since Torlonia is his friend, I could only call him the Tiger.
Potechine leaves, and five minutes later Antonelli. I barely said goodnight, and rushed down the secret staircase. Within a second he appeared on the stairs and I pushed open the little door.
"There," I said, trembling all over, steadying myself against the door.
He came forward and took my hands.
"I have come," I said, trembling more and more, "to say farewell."
"No — not farewell!"
"Yes, yes, Monsieur — farewell. I loved you until this evening."
"Impossible!"
"It is so. But now," I continued, weakening, "now I despise you. Ah! So be it — I have said it: I loved you. I was wrong to; I know it."
"But—" he began.
"Farewell."
"Then you are not coming to Tivoli on horseback tomorrow."
"No."
I never loved him — all of that was due to a romantic imagination in search of novels.
That filthy little drunkard perhaps thought I could yield to him. Ugh — the horror.
"And it is not fatigue that makes you give it up."
"No — fatigue is only a pretext. I do not wish to see you any more."
"Do you want me not to come any more?" he asked abruptly.
"Yes," I said quickly — but weakened by the effort, I leaned against the wall, murmuring, "no." "I do not wish to see you any more," I continued after a struggle. "We must say farewell — that is why I am here."
"No, no!" he exclaimed. "What are you saying!"
"What I say — nothing more. It gives me great pain," I said, swallowing a torrent of tears and letting out a sigh that hurt me more than a cry.
There was no torrent of tears. La Dame de Monsoreau! Dumas!
I wanted to draw him to me, to take his head in my hands and kiss him on the mouth a second and final time. I was frantic — but my aunt knew I was there, I had warned her; she might open the door from above, and I did not want her to know anything.
"It is not possible," Antonelli kept saying, holding my hands.
"It is so very possible that you are about to see. I do not know how I have not pushed you headfirst down the stairs!"
"Someone is coming," he said. Indeed, we could hear the porter's footsteps. "Au revoir."
"Wait a moment," I said. "Come here" — and I looked him in the face in such a way that he found nothing to say, and kissed my hands.
"Marie!" my aunt called from above. "Marie!"
I made a gesture of impatience; Antonelli, one of anxiety.
"Au revoir."
I said nothing and hurried up the stairs.
"Where are you?" said my aunt.
"I was downstairs with Antonelli."
"And why?"
"To talk."
"Tell me."
I sat down and told her a heap of nonsense, laughing, the supposed confidences of the monk.
After which I shut myself in and threw myself on the sofa, crying: "Jesus, Lord, have mercy on me!" I sobbed for ten minutes and then dried my eyes quite dry. I had not found a single tear.
"You told me to speak to my father and to come to Nice?" said Antonelli, on the stairs a moment before he left.
"Yes."
"I shall do that and come to Nice, cost what it may."
"You have already promised that once!"
"I swear it to you!" And he left.
I have finished writing; it is five o'clock; it is daylight.

Notes

The Campidoglio (Capitoline Hill): the ceremonial heart of ancient and modern Rome, a favourite promenade and viewpoint.
The Teatro Valle, one of Rome's oldest theatres, where the party attended a performance earlier in the carnet.
Nimrod: the biblical hunter-king (Genesis 10:8–9), proverbial in French and English for a great sportsman.
La Dame de Monsoreau (1846), one of Alexandre Dumas père's most romantic adventure novels. Marie mocks her own purple prose by invoking the master of romantic excess.