Tuesday, 18 April 1876

At twelve [o'clock] we set off for Pompeii. We go by carriage, for the road is beautiful and one can admire Vesuvius, the towns of Castellammare and Sorrento, and so forth. Altamura lets me drive his horse and climbs into the landau.
The excavations are admirably managed. It is a curious thing to wander through the streets of this dead city. We had hired a sedan chair, and Maman and I rested in it each in turn.
The skeletons are dreadful — those poor souls frozen in heartbreaking poses. I walked about whistling, looking at the debris of houses, the remnants of frescoes, and tried to reconstruct it all in my imagination — to repopulate these houses and streets. What terrifying force, to have swallowed an entire city!
I could hear Maman talking of marriage — a woman, she said, is made to suffer, even with the best of husbands.
A woman before marriage, I said, is Pompeii before the eruption; a woman after marriage is Pompeii after the eruption.
Perhaps I am right. I am very tired, anxious, grieved. We do not return until eight o'clock, and we find the card of Count Gerhard de Doenhoff, Chamberlain to His Majesty the Emperor of Germany and King of Prussia, and Marshal of the Court of His Royal Highness Monseigneur the Prince Charles of Prussia; and a telegram from Nice. It is the telegram that must be attended to. A payment of twelve thousand francs — but there are so many of these payments. It is high time I went and put some order into these wretched, entangled affairs. There are many debts — something like sixty thousand francs. These debts bring bailiffs and other horrors; enough of that — speaking of it brings no remedy, and this poor journal, which is filled with nothing but roses and their thorns, would be offended by the enumeration of such filth. There is no head in the household — O Frenchmen! see where republics lead! I was already falling into despair when God calmed me with the thought that I am reaching the end of my troubles — that I am going to the very heart of the volcano, to Russia. That is where activity will be needed, and complaints here are tedious and useless.
I am quite shattered, I assure you. This telegram has disturbed the evening I had hoped to spend between a novel and thoughts of Antonelli.
I went to have tea with everyone and without quarrelling said how happy I would be if I could be rid of my dear family. Maman does not take offence at this — she desires it just as much, knowing how delicious it would be for me.
— If Galantine (Torlonia) knew what you have, he would marry you at once, she says.
— You think then that I desire Galantine so very much?
— Certainly — you desire him.
— Well, it is true, I say simply — I would take him; he would beat me, but I would take him willingly all the same. If only you knew how weary I am of this life!!!
— I know — and if you could hear my constant prayer you would know how much I ask God to make you happy.
After this conversation we did imitations of Desclée and Ristori, and I return to my room feeling relieved.
My journey to Russia is of the highest importance. First and above all, there is the lawsuit — which must be concluded one way or another. Then there is Monsieur my father. It is no longer a question of husband or wife — there is a father, a mother, and their daughter. It is necessary to the peace of my life that my father appear in society with me. I must therefore win over this father. And after that — there is perhaps Miloradovitch. I have already said everything I knew of him. I am not inclined to desire him. He is twenty-one; the fortune would be in the hands of his blind old father or of his mother, who is an old intriguing woman of bad conduct — she has had every Jew on earth as her lover. The young man would not receive this blessed fortune until the death of his parents, of whom he is the sole heir. But the Miloradovitch family is celebrated for its avarice, and by the time he reaches thirty or forty he would become as miserly as his father.
In a great family that is in the public eye, it matters little whether the husband loves his wife or not. The wife of a Meshchersky, a Gorchakov, a Doria, a Torlonia must have a calèche, horses, livery, and must keep an open salon; for the sake of the name, for the sake of propriety, the husband may detest and despise her — but she is the mother of his son, his wife, she bears his name, and noblesse oblige. Whereas a Miloradovitch — noble and rich as he may be — cares nothing for all that, buried as he is in his provincial town where people look up to him as much as he pleases to allow.
He cares not at all what people will say — he locks up his wife, gives her not a sou, and looks down on the whole world from the height of his stupidity. That is why I fear Miloradovitch: as long as he loved, all would go well — but once love is past: go home, madame, and do not disturb me further!
There are my three purposes for the journey. The third is the least important, and I am afraid. I would not have the courage to refuse the offer, and that is why I would wish it possible to avoid it in such a way that it is not my fault — and at the same time... It is difficult to explain; I hope you will understand.
So Antonelli is in Rome. He is in Rome — he knows I am no longer there, and he does not come to where I am? There is a singular love for you.
He knows I am in Naples for a few days and awaits my return... yes — if he awaits it; but if they have forbidden him to think of me and he has resigned himself? How I should despise such a man!
When I tell you I have no luck. I was wrong to look upon Pietro as anything other than a charming child. He is twenty-three years old, however, and if he loves me, love ought to give him a little strength of character. Well — not at all. All this proves that he did not love me seriously. It is annoying, it is disagreeable, it is vexing.
I am willing to make allowance for circumstances — but I cannot remain blind to his strange, cold conduct. He loves me — and he does not even concern himself with where I am! He loves me — and he goes off to the devil, comes back when they allow him, no longer finds me, and that is perfectly fine with him — and he does not come to seek me!!
— You have read a great many novels, he told me one evening — your imagination is overstimulated and you always require the extraordinary.
Perhaps he is right. And yet — no; I ask for nothing but the very simplest thing. Does he love, or does he not? That is the whole question.
— So you are not deceiving me? I said to him on the last evening. You are not inventing?
— Oh! I see what it is, he replied — you thought that I spoke to my [father] and that he was against it and they are sending me away!
You did think that, did you not?
The devil take me if I know what I thought — or what I think!
If I could, I would stay yet another month in Naples — despite all the displeasure it would cause me — to see whether, intrigued by so long an absence, this cardboard hero, this bawler of nonsense, might not take some timid step in secret from the great ones.
Besides, I do not see why these people would be opposed. I do not desire him — his family seems to me a great dark frightening void that would swallow me up — but I ask myself why I am not good enough for their son?
If they all came to ask me to consent I would not consent. This dark, hypocritical family seems terrible to me — those yellow, Jesuitical brothers remind me of Madame Tiutcheva. Maman thinks the same. They would devour me.
One must settle one's affairs and spend next winter in Rome — going into society, I am certain to find what I need.
If no one buys me I shall buy someone — Torlonia, perhaps.
Just think! I arrive in Rome on Friday and the moment I arrive Pietro flees! Ah! Good heavens — if such a thing were to happen. I am going to pray God that it does not.
Ah! What does any of this matter to me! When it is the Duke of Hamilton I love — he alone, and never anyone else!
Do not be surprised at this outburst. I have just been lying on this chaise-longue for ten minutes, and those ten minutes sufficed to assure me for the thousandth time that I love no one — that not one of the sensations aroused in me by all these impostors is worthy of the name of love — that to none of them could I say: I love you! And that if I said it to one of them in an unguarded moment I would repent of it and feel excessively humiliated. This does not prove that I am made differently from others, but it proves that I do not love them — whereas him I love: despite the years, despite the absence, despite everything — like a shadow, like a memory, like a dream!
Mock me! Call me mad! You do not understand me!
I can scarcely remember him — as one remembers a dream — and yet I would recognise him among thousands. Wait, wait — I shall go to find him; I must see this idol of my soul, this shadow, this sun. Perhaps I shall find him drowned in wine, appallingly fat, stupefied... No — that cannot be; my God could not become a gross lump. I shall find him as I saw him. I could well see him now — but it would serve no purpose, since I could only see him from a distance, in the street and at the theatre. I can encounter him in society, know him, speak to him!
When will that be? God knows. I shall have patience. Scarcely married I shall think of him no more — but after a certain time he will return to me; he abandons me sometimes for months at a time, then all at once — as tonight — he returns like a thunderbolt, like an eruption of Vesuvius, and engulfs and pulverises everything! I no longer love him as a man — but I have said it already — as a star, as a god so far removed from me that I do not even think of him as one of my kind.
This childhood love that has lasted until now does not keep me from thinking of other men — it is so different from what the others inspire in me! It does not prevent me from loving, from weeping, from crying out for the others.
Does the love one has for God prevent one from loving men? Certainly not. I have too much within me — God and men do not suffice: I need also a Hamilton, who is my god on earth — a material god, a profane god — but I need this god for my pagan nature, my perverted heart, my mad, vile, small, and sublime soul.

Notes

Marie's celebrated metaphor — a woman is destroyed by marriage as Pompeii was destroyed by Vesuvius. The setting makes the analogy irresistible.
Marie's jab at the French Republic: with no male head of the household (Papa being absent or estranged), the women are adrift — and she blames republicanism for this lack of patriarchal order, somewhat ironically given her own forceful character.
"Galantine" — Maman's nickname for Torlonia; galantine is a cold dish of jellied meat, suggesting something soft and insipid. The nickname mocks his spinelessness.
Aimée Desclée (1836–1874) and Adelaide Ristori (1822–1906) — two of the most celebrated actresses of the era. Desclée was a French actress famous for naturalistic emotional intensity; Ristori an Italian tragedienne who had conquered Paris and London. That Marie and Maman amuse themselves mimicking them suggests a playful, intimate side to their relationship. Desclée had died two years earlier; her memory was still vivid.
Marie's unfiltered prejudice rendered as written; she is 17, of her time and milieu. The phrase is left intact as part of the uncensored text.
Calèche — a light, elegant four-wheeled carriage with a retractable hood, a standard marker of aristocratic status.
Madame Tiutcheva (Tyutcheva) — Anna Fyodorovna Tiutcheva (1829–1889), lady-in-waiting to the Russian imperial family, daughter of the poet Fyodor Tiutchev, known for her rigidly conservative Orthodox and nationalist views. Marie uses her as a byword for hypocritical religious severity.