Thursday, 30 March 1876

— What a misfortune?
— A very great one.
— Which?
— I cannot say, but it is a very great misfortune.
I almost do not need him to tell me — I can guess the very great misfortune. A conversation with old Antonelli. I should like to know to whom they applied for information.
Bigre, bigre — I need to speak with Pietro. I need to ask him a great many things, for it is not fitting that this wretched uncertainty go on any longer. My position is false. Whether to accept or refuse is my affair — but things must be done properly. It is beneath me to drag on in this way; he comes to amuse himself while his father refuses to consent. I must speak to him. Where? How? Besides, it is for him to ask me for this interview. It seems to me that he loves me no longer — I am jealous of everyone.
Poor Yourkoff! He was only thirty-six.
He stared at me so this evening. I was dressed and coiffed rather too… you understand? He will dream of me tonight. You understand? I wager he will.
— I do not love you, I told him the day before yesterday — but I tolerate you, and that is quite enough.
— No, it is not enough — I do not wish to be merely tolerated!
— What do you want, then?
— I want to be loved.
— Ah, ha!
Pietro is not a mere boy. I was mistaken about him — he is becoming more and more defined as a character, and I am beginning to have a certain regard for him.
One single evening he has not said I love you to me, and it seems to me that he loves me no longer. I hate vagueness in such cases — and I am up to my neck in vagueness at present.
All night I did nothing but dream of Torlonia, so that when my model arrives I am incapable of painting.
The dream had begun to make me miserable, and Maman finished the work. I was foolish enough to go to her room, and though she was ill she found enough to say that I came away and locked myself in my room in a state of agitation difficult to imagine.
Driving people to distraction is, moreover, her specialty.
Now that I am alone, locked in, I shall reason through the great matter. Why is it that for some days I have begun to feel a certain falseness in my position?
It comes from the fact that for some days my position has been false. And why is it false? Because Antonelli asked me to be his wife, because I did not refuse outright, and because he spoke of it to his parents, and because his parents are not easily managed, and because Visconti said to Maman what he said. What did Visconti say?
— One must know, Madame, where you intend to marry your daughter, said Visconti, after having praised Pietro's person and fortune.
— I have no fixed idea, replied Maman, and besides my daughter is so young.
— No, Madame, one must speak plainly — do you wish to marry her abroad or in Russia?
— I should prefer abroad, for I think she would be happier abroad, having been brought up there.
— Hm, very well. One must also know whether your entire family would consent to seeing her married to a Catholic, and to seeing the children born of this union raised in the Catholic faith.
— Our family would look with pleasure upon whatever might make my daughter happy.
— And what would be the relations between your family and the husband's family?
— Why, I think they would be excellent relations — all the more so as the two families would see one another rarely, if at all.
— Pietro Antonelli is a charming young man and will be very rich — it is not even necessary to speak of that, since it is well known that he will have a magnificent fortune — but the Pope concerns himself with all the Antonelli affairs, and the Pope will make difficulties.
— But, Monsieur, why do you say this? There is no question of marriage. I am very fond of this young man — but as I would be of a child, not a future son-in-law.
That is about all I have managed to extract from the memory of Madame my mother.
The Antonellis are balking. Very well. They do right — for the moment they balk I become docile. That is my wretched character. It would be most reasonable to leave, especially as nothing will be lost by putting things off until next winter. I judge by myself, and that makes me fear absence. Out of sight, out of mind.
But no — he loves me entirely.
— I know, he said, rising after a dozen coldnesses on my part — I know it is a great misfortune to love at twenty-three, and to have one's whole life upended and poisoned from that age. I am not speaking of the small loves one feels twenty times — but the great love, the only one, the true one, ought not to begin at twenty-three, above all when it is unhappy.
Wretched uncertainty, tedious waiting! He must feel himself that this cannot go on.
I must leave! From tomorrow I begin to prepare — that is to say, to go and visit the Roman wonders I have not yet seen. Yes — but what vexes me is that the opposition does not come from our side but from the Antonellis'. It is ugly, and my pride revolts.
Let us leave Rome. But who tells me there is opposition? Everything, by God! Pietro's half-words more than anything.
Having to deal, even indirectly, with the Pope and Cardinal Antonelli — that rather pleases me. If we cannot do anything else, let us make a scandal or at least sow discord. Pietro is no lamb, and when he comes he is quite willing. He wants me — that is going to create an uproar among the priests. Why oppose this marriage? Religion. Bah! So long as the children are Catholic, the rest matters little. I should like Maman to lead Visconti back to the topic. I would give her my instructions. The whole affair is not clear.
It is disgusting, upon my word of honour. Difficulties excite me; nothing would be easier than to marry the man and defy everything. But I want to defy nothing — therein lies the difficulty. I want everything done properly. In truth, Pietro's love had led me to think that the Pope and the Antonellis were mere upstarts. You are mistaken, my girl. I can see that perfectly well now.
I await a decisive blow. I wait and little by little I am irritated — and when I am thoroughly irritated I… shall do nothing at all. And what can I do?
Visconti said more than I thought.
— As to the match, he said, it is a very fine one in every respect — but I must warn you that the Pope will not permit it.
— But I assure you, Baron, you astonish me. I am far from thinking of a marriage for my child. However, I am curious to know why the Pope would not permit him to marry whomever he loved?
— A question of religion, Madame — a question of religion.
[Written across the page: Visconti must have said simply that the Pope and the Antonellis did not wish it — but Maman repeated his words to me differently, and in an idiotic fashion, to soften the blow.]
I should very much like to know whether the old papist spoke simply of his own accord, or whether what he said was the consequence of a conversation with the Antonellis. No doubt Pietro has spoken. I laugh, I amuse myself, I think of nothing serious — but he and they are another matter; they view the question seriously, they discuss it, they attend to it. That strikes me as strange, yet it is very natural. I must make Pietro talk.
It is truly very disagreeable to me that they should pretend not to want me when I myself do not want them. Rome is such a gossipy city! Everyone is occupied with the matter, and I am the last to notice. It is always like that.
I went to the Borghese, the Pincio, and the Corso with Dina and Walitsky, Maman being still ill. Visconti came yesterday and today — he is very agreeable.
I saw the Duke Braschi, who they say has one look — just one — to which no woman can resist. No doubt he has already bestowed a quarter of that look upon me, for I am beginning to find him handsome — he whom I always found very plain. Braschi is a cousin of z… z… Zucchini.
No, but can you conceive of such audacity! The Pope will not permit it! What do they want for a dissolute, depraved third son, and whatever else he may be! Are they mad? Do they imagine I am attached to him? Bigre, no — not as a match. I am furious at the idea that they wish to take Pietro from me — but I want more for myself, and I aspire to greater things, thank God. If Antonelli answered to the programme I should not be angry — but a man I have inwardly refused as insufficient, and for this man they balk! One must clear this up!
I was nearly intoxicated, because before going home I encountered Torlonia, who was very surprised to receive no reply to his greeting — but I had not seen him. I am mad about him; he will make me leave Rome.
The only one I want does not want me! A thousand names of a cardinal!
I am drawing caricatures of Torlonia and am delighted whenever I manage the least likeness. I adore him. Find me a single woman not more or less inclined to do the same. I defy you to find one! I can see he is rated among the fashionable men of the day — good heavens. He is adorable, upon my word of honour. Let us go — since he spits on me — and let us forget him. Forget? It is the only thing to do; I forget easily, which is fortunate.
[Written across the page: How could I have said so many things about Torlonia?!!]
[Manuscript illegible]
Bigre. Fie! What a scoundrel I am.
Let us go to Russia and come back. There will be yet another hundred Cléments and two hundred Antonellis. Each time it seems to me that no one other than the present one could please me again — I thought that no one other than the Surprising One would interest me any more. You see that they do. Let us not despair and let us wait. Always waiting — it is enough to drive one mad.
Pope's spleen! I am irritated. And Maman who keeps saying to me:
— But he hasn't proposed to you? But what does he say to you?
I am furious.
But wait a moment — evening comes, and with evening Antonelli; we receive him rather coldly in consequence of the Baron's words and a host of suppositions, for since Visconti's speech everyone has done nothing but suppose.
— Tomorrow, said Pietro after a few sentences — I am leaving.
— What?
— Where?
— For Terracina — I shall stay there eight days, I think.
That was a true thunderbolt!
They are sending him away, Maman said to me in Russian, they are sending him away — I knew it — but what a shame, I shall weep with rage!
Yes, it is disagreeable, I replied in the same language.
I should think so. They are sending him away from me as from something unwholesome (ah, those damned priests!).
You will understand that it is humiliating beyond measure.
The conversation suffers accordingly, and I explain this sudden coldness by the impression that Yourkoff's suicide made upon us. Maman is so offended and furious that her headache redoubles, and she is led to her room; Walitsky goes with her, Dina withdraws — for some reason I don't know. Besides, there was a tacit understanding to leave me alone with Pietro to learn the wretched truth.
There was some joking — they asked whether it was on account of debts that he was being sent away, or why, etc., etc.
Once alone with him I attacked bravely, though a little trembling:
— Why are you leaving? Where are you going?
Ah, indeed! If you think he answered me as plainly as I questioned him, you are mistaken. I asked, he evaded; at last we arrived at bitternesses, at reproaches on both sides, and then he said:
— But how is it — you want everything and you yourself do nothing!
— Naturally.
I explained my character to him.
— What is your motto? he asked.
— Nothing before me, nothing after me, nothing outside of me!
— Well, that is mine too.
— So much the worse.
Then began protestations — true, so very true that they were distorted by their very intensity. Words of love without beginning or coherence, outbursts of anger of… may I call it passion? Reproaches. I sustained this hail of words with as much dignity as calm.
— Prove it to me. Speak.
— Ask me anything you please — except that!
— I want nothing except that!
— I have no trust in you. I love you enough to die of it — but I have no trust in you. You have always mocked me, always laughed, always been cold with your examining-magistrate questions. What can you want me to say to you, when I see that you do not love me and never will!
I listened, rigid and motionless, not even allowing him to touch my hand. I wanted to know at any cost — I was too miserable in that uncertainty seasoned with a million suspicions.
— Prove that you are speaking the truth. Speak!
We got up, we walked about the salon, I beseeched him.

Notes

A position fausse — an equivocal, socially ambiguous situation.
"Le Surprenant" — the Surprising One — Marie's nickname for the Count Audiffret, a previous romantic interest.
"Rate du Pape!" — Marie's invented comic oath, literally "Pope's spleen!"
In Russian in the original.