Tuesday, 22 February 1876

I went out in the morning with Lola to buy the costumes; and at three o'clock, Dina, Lola, and I entered the Corso in a wide calèche, dressed in white dominos with enormous indigo stripes and spectacled masks. The fourth seat was occupied by an immense basket of confetti. Even before reaching the Corso, on the Via del Babuino, we encountered Antonelli — so charming that I felt a small particular stir in my heart.
The Corso is lively — it is the last day of confetti; protected by our masks, we fight, we send grimaces, kisses, desperate gestures. At every street corner we overwhelm hapless priests with a hail of confetti. I shout, I stand upright, working both arms [Words blacked out: in a frenzied manner.]
It was great fun! And then there was Antonelli — left quite dazed by our furious attack and the cries of: Pietro! carino! angelo!
At the signal given from the Piazza del Popolo, the Corso is cleared of carriages only — for the Barberi are about to race! We then appear on the balcony in our white dominos, our hair properly arranged. Our neighbour is a very agreeable English lady; her name is Félise de Lorncourt, née Tamton. She has horses, carriages, dresses, and so on.
Well, this person spoke to me, and as it was carnival I struck up a conversation with her. Besides, I believe she is a respectable woman. And at once the gentlemen who had come to see her asked her whether she knew me, and who I was — all this in Italian.
As for me, seeing that Antonelli would not come again, I sat down, leaning against the wall, and looked straight ahead — for I could see the desperate efforts of a very handsome young blond man on the Englishwoman's balcony, trying to speak to me.
After the race, we leave at once, and Madame de Lorncourt bids me good evening very politely.
But we had to wait for something or other — I leaned against the door and looked at the ceiling with an idle air. At once the young man came and placed himself very close, and seeing that I did not stir at all, timidly asked me whether I was seeing the Roman Carnival for the first time.
After an exchange of a few phrases, I left him, for everything was ready to depart.
On the Corso I saw four Antonellis, but none was the real one. Turning into the Via Condotti, I felt something thrown onto my lap — it was a magnificent rose, and the man had fled at full speed; yet Lola had time to catch sight of a blond moustache.
I return home shattered with fatigue, feeling neither my legs nor my arms, and I fall asleep involuntarily comparing Antonelli with Audiffret. And Audiffret seems to me so tall, so strong — there is something so powerful about him — that I find him superb, even while sensing that slightly coarse air he has; yet everything in him charms me, and at least at the moment of falling asleep he pleases me more than any man, and I would love him entirely, if Antonelli had not spoiled him for me.

Notes

Calèche: a light, open four-wheeled carriage with a folding hood.
Dominos: long hooded cloaks worn as disguise at masquerades.
Confetti: during the Roman Carnival of the period, small bits of chalk or plaster, not paper — thrown in handfuls at passersby.
Italian: "Pietro! Darling! Angel!" — carnival exclamations. In Italian in the original.
Piazza del Popolo: the large square at the northern end of the Corso from which the Barberi race was started each evening of Carnival.
The Barberi: riderless Barbary horses adorned with spurs and tinsel, raced the length of the Corso — a famous Roman Carnival tradition abolished in 1882.
coarse: Marie writes this word in English in the original French text. In English in the original.